Lumina 2024 - Movies (Mar 9th)
My Husband the Cyborg 2025 - Movies (Mar 9th)
Flow 2024 - Movies (Mar 8th)
In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Moana 2 2024 - Movies (Mar 7th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
Tuesday 2024 - Movies (Mar 7th)
Plankton The Movie 2025 - Movies (Mar 7th)
CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
The Little Mermaid 2024 - Movies (Mar 7th)
Bloat 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
Lumina 2024 - ()
My Husband the Cyborg 2025 - ()
Flow 2024 - ()
In the Summers 2024 - ()
Old Guy 2024 - ()
Captain America Brave New World 2025 - ()
Moana 2 2024 - ()
Ghost Cat Anzu 2024 - ()
The Silent Planet 2024 - ()
Tuesday 2024 - ()
Plankton The Movie 2025 - ()
CHAOS The Manson Murders 2025 - ()
George A. Romeros Resident Evil 2025 - ()
The Little Mermaid 2024 - ()
Bloat 2025 - ()
Confessions of a Romance Narrator 2025 - ()
Woods of Ash 2025 - ()
Agents 2024 - ()
Barbie and Teresa Recipe for Friendship 2025 - ()
Picture This 2025 - ()
I think “Fiona” (Julie Christie) knows the writing is on the wall when she goes to top up some glasses for her dinner guests and she can’t recall what’s in the bottle. Husband “Grant” (Gordon Pinsent) is dreading what has to come next as they both realise she needs professional care rather than stay in their beautiful but impractical wintery home. One of the more onerous conditions of her residency is that for the first month she can’t receive visitors and though she is a bit more stoic about that, he is struggling after 45 years of marriage to come to terms with that. Muddle through he does, though, and eagerly anticipates the day when he can see her again. His arrival at the home doesn’t quite go to plan as he discovers she is playing bridge with a new friend “Aubrey” (Michael Murphy). She is friendly enough but what’s clear is that she can no longer quite place him in her life. What now ensues sees him sensitively try to reintroduce himself whilst she obliviously continues with her new friend and new life, gradually deteriorating. Meantime, he meets “Marian” (Olympia Dukakis) who is married to “Aubrey” and in similar situation, largely unrecognised by the man she has loved for many years. Without compromising their other affections, the two start to find solace in each other’s company and start to realise that they have lives to live too - but always in a shadow. Christie delivers poignantly here but it’s actually Pinsent who has the hardest task as his character gradually loses all the points of reference from his adult life: his best friend, his lover - and yet she is still there, pleasant and polite, in front of his eyes. Dukakis is a fine character actor and she, too, imbues her character with a sense of sadness and reservedness as the inevitable begins to take firmer shape. The writing takes us into the heart of something ghastly but avoids sentimentalising the story. It introduces a little of the vagaries of the science - an imprecise and fluid collection of theories, and makes it’s point with just an hint of optimism for those left to constantly and repetitively pick up the pieces as the days get no better. Despite the doctor extolling the virtues of communal care and living, I still looked at the facility and wondered if these places don’t actually do more stifling than providing, and that’s a testament to an ensemble effort from some chirpy residents and from a direction that treats us as observers for whom this could easily resonate one day. It’s a tough watch but worthwhile, I’d say.
Following the death of her mother, a young woman returns home to Niagara Falls and becomes entangled in the memory of a kidnapping she claims to have witnessed as a child.
Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Napoleon's tumultuous relations with Russia including his disastrous 1812 invasion serve as the backdrop for the tangled personal lives of two aristocratic families.
Teenage best friends Mila, Hanna and Kati play matchmaker to their teachers while helping each other through their own budding romances.
Doug and Amber were madly in love and married during their college years. Driven by the "dream" of a prosperous life together - Amber worked two jobs to put Doug through school. Soon after they shared in his business success and celebrated the birth of their precious, beautiful daughter. Fast forward 15 years - Amber has continued to be committed to her husband and their marriage, but Doug has fallen into the traps of an unfaithful spouse, convincing himself that he wants more out of life. In the midst of this turmoil, tragedy strikes, but the series of events that follows just might give this couple a chance to survive and once again regain the love for one another that was pledged in their sacred vows, 15 years earlier.
Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?
Cultural critic David Kepesh finds his life - which he indicates is a state of "emancipated manhood" - thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.
The tragic struggle of an undocumented Latino family in Los Angeles after they have sent their eldest son to war.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
Demet and Okan, a married couple, find that the spark in their relationship has disappeared. But life gives them another chance when Okan buys a lottery ticket and happens to win the lottery.