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_**Dracula-in-the-modern-day parody with George Hamilton**_ The Communist regime in Romania forces Dracula from his castle (George Hamilton), so he and Renfield (Arte Johnson) fly to New York City to meet a model who has caught the Count’s eye (Susan Saint James). Richard Benjamin plays her therapist and Dick Shawn an officer that tries to help solve the vampire happenings. “Love at First Bite” (1979) spoofs Dracula flicks and was AIP’s most successful film up to that point (an honor that would only last three months, after which “The Amityville Horror” took the crown). It surged Hamilton’s career and remains his most profitable movie. If you like other classic monster satires, such as “The Vampire Happening” (1971) and “Young Frankenstein” (1974), you should appreciate this one. It puts Dracula in the modern day Big City and milks it for fun. While it’s rarely laugh-out-loud funny, it’s consistently amusing (or eye-rolling) in a quiet smirks kind of way. There are several cameos of celebs that were popular at the time. Although it has been accused of being “racist,” it pokes fun of people across the board, whatever their skin color or socioeconomic status. For instance, the beginning makes fun of Romanian Communists followed by superstitious rural villagers (all white people). The film runs 1 hour, 36 minutes, and was shot in Manhattan and The Langham Apartments, Los Angeles. GRADE: B-
In this absurd sequel, Selina has no idea how to fulfill her destiny as the new Moon Wizard, but she's been having visions predicting the return of her evil nemesis Moon Ghost, so she'd better figure things out soon.
Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.
Three roommates transform into undead after one of them was attacked in the basement.
After ending a six year relationship, a well-behaved, Jewish, OBGYN decides to turn her brain off and her body on by exploring BDSM; instances of which are popping up in the most unusual places.
Henrietta Robbins borrows money from a loan shark to finance her husband's investment in the stock market. However, when their stock plummets, she scrambles to find a way to pay the money back.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.
Carpathian Count Alucard is invited to the U.S. by a young heiress. Her boyfriend and local officials are suspicious of the newcomer, who is interested in the "virile" soil of the new world.
The town's landed gentleman and unrepentant vampire Angustia has just feasted on a young female victim and is now pursued by an angry mob of torch-carrying villagers. Cornered in the grounds of his villa, Angustia is staked through the heart with a sharpened cross and left to die alone in agony. With the sound of a howling wolf in the distance, he is tended to by his distraught sweetheart, who removes the cross and buries him underneath it. Being mortal, she is also carrying the vampire's children – twins, one good and one inherently evil – and after her mother is thrown down her stairs by an unseen force (linked to the cobra curled around the vampire's grave marker!), she leaves one of the babies, flees the village with the other child, and heads in a trance directly for the sanctuary of Angustia's villa.
This spoof of 'Apocalypse Now' has health inspector Will Dullard travelling by car "uptown" with two friends to have a meeting with a certain Mertz, the owner of a meat processing shop, to "investigate with extreme prejudice."
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into the lion's mouth! With this attraction, the circus makes it to New York and Tira can pursue her dearest occupation— flirting with rich men and accepting expensive presents.