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***A school for the deaf on a Maine island with William Hurt and Marlee Matlin*** A teacher (William Hurt) moves to coastal Maine to work at a school for the deaf on an island where he becomes interested in a striking, but disturbed janitor (Marlee Matlin), who was once a student there. "Children of a Lesser God" (1986) is part celestial and mundane; beautiful and profane. Thankfully there’s more beauty. The Northeast coastal locations are wonderful and Hurt makes for a worthy protagonist while expertly pulling off a difficult role. Marlee Matlin is an exquisite revelation without which the movie would’ve failed. Everything builds to a stunning dramatic scene in the second half, which is expertly executed. Unfortunately, the couple hooks-up a little prematurely. More time should’ve been spent with the journey to consummation. Nonetheless, there are great moments here. The film runs 1 hour, 59 minutes and was shot in New Brunswick, Canada (Rothesay, Saint John & Beaver Harbour). GRADE: B
Acclaimed teacher "James" (William Hurt) arrives at a school for the deaf where his very "hands on" techniques rather shake the established order of superintendent "Franklin" (Philip Bosco). His pupils make good progress, though, as his methods start to encourage them to speak more and act with much more confidence amidst each other and amongst the talking community at large. Soon they playing a bit of second fiddle to the enigmatic "Sarah" (Marlee Matlin). She's now the school caretaker and has a reputation as a bit stand-offish and temperamental, but it turns out that she, too, is deaf and that she has also been in this establishment for over twenty years. Most people around the place just put up with her, but he determines to try to get to the bottom of her obvious frustrations and see if he can't help her deal with them. Initially a job of work for the man, this soon becomes something more visceral and intimate for both - and that tests the mettle of just about everyone. It's probably a testament to Matlee's strong and characterful performance here that I just didn't take to "Sarah" at all. I found the character - whatever her background, an angry and somewhat obnoxious creature who offered little for me to feel sympathetic towards. Not in a woe-is-me type of sympathy, just in a general sense of there ever being a likeable person under all the baggage. Their frequent rows and tantrums come across as increasingly contrived and by the end I thought the writing was on the wall for the pair as far as the plot was concerned and I didn't really care whether she spoke or didn't. I do think that shows her skill as an actress, and to an extent William Hurt's as a foil, but somehow this film resonated far more for what it meant politically and sensually at the time as a pice of profound innovation than it did dramatically on screen..
Tabloid reporters are sent by their editor to investigate after the paper recieves a letter from a woman claiming an angel is living with her.
The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.
Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.