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**A film that only interests those who know the animated series, but which marks the end of Orson Welles' work.** I saw this film by mere chance. Later, I was surprised to see how well regarded and highly rated it is. It is based on “Transformers”, an animated series for children and teenagers that was quite successful in the 80s and 90s, but which I have to confess I never saw. Recently, Marvel invested millions in live-action films and revived this universe. I haven't seen them in full yet, but this is where I get to know the characters better. What did I expect from this movie? A bit of easy entertainment, assuming the movie would at least do the work of better introducing the characters and story. That's not what I found. In fact, this is an “inward-facing” film, that is, it is aimed almost exclusively at an audience that already knows the animated series and the characters. Therefore, there are no explanations or introductions, anyone who wants to understand something should go and see the series. Three points down, I thought: I don't feel obligated to watch the series to understand the movie, I can just watch something else and send this movie to the trash can, where it belongs. Despite everything, I saw the film, and after reading a little about the animated series on the Internet, I understood that the film kills a lot of characters that, until then, were central to the plot, and that the film was released between two seasons, introducing characters who would play a relevant role later. Not being an expert, I wonder to what extent the film was not a kind of publicity move, either for the new season or for the merchandising that is usually associated with this type of television material. I won't waste my time describing the script, which involves a giant robot that devours planets and the war between the Decepticons and the Autobots, robotic races of alien origin that fight each other. What I can say is that, in addition to being an uninteresting film that will not captivate those who don't know the series, it has a very confusing and far-fetched plot. The graphics and animations have that kind of quality you find in a lot of animated material from the late 80's, and it made me think about possible influences of Japanese and Korean "anime" on American production. Moreover, just a word to salute the effort that Orson Welles must have made to give voice to one of the creatures, at a stage when he was practically at death's door. The distinguished actor would die days after having recorded the material that was used in this film.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
Starship C57D travels to planet Altair 4 in search of the crew of spaceship "Bellerophon," a scientific expedition that has been missing for twenty years. They find themselves unwelcome by the expedition's lone survivor and warned of destruction by an invisible force if they don't turn back immediately.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
During an unfortunate series of events, a friend of Kung Fury is assassinated by the most dangerous kung fu master criminal of all time, Adolf Hitler, a.k.a Kung Führer. Kung Fury decides to travel back in time to Nazi Germany in order to kill Hitler and end the Nazi empire once and for all.
