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***Melancholic, harsh Peckinpah Western with Keith and O’Hara*** A former Union soldier, Yellowleg (Brian Keith), vengefully searches for a Confederate who tried to scalp him alive 5 years earlier. After something bad happens in an Arizona town he offers to escort a dance hall woman (Maureen O’Hara) to a ghost town where her former beau was buried. There are a couple problems though: They have to go through Apache territory and two lowlifes accompany them most of the way. Released in 1961, “The Deadly Companions” has a lot going for it: It stars Keith and the beautiful O'Hara, who had such great chemistry in "The Parent Trap,” released the very same month. This is Sam Peckinpah's directorial debut in cinema. Most people reading this know that Peckinpah went on to become a highly acclaimed director with notable efforts like "Ride the High Country" (1962). In addition, "The Deadly Companions" was filmed on location in Arizona (including Old Tucson); you can't beat Arizona for fine, authentic Western locations. Lastly, the picture only runs 90 minutes, so it won't likely wear out its welcome. The first act is promising, highlighted by a church service in a saloon with O'Hara playing a social outcast amongst the church folk (for legitimate reasons). After a tragedy happens, the tone turns melancholic as the characters take a hard journey through the desert where they fight with each other and the Injuns. The movie’s realistic and harsh, reminiscent of unmemorable Westerns like “The Appaloosa” (1966) and “The Stalking Moon” (1968). “Molly and Lawless John” (1972) was the only one that took this basic approach and made a compelling Western. But at least Peckinpah & team tried to do something different, like Brando did with the contemporaneous “One-Eyed Jacks.” The odd classical-meets-Country-and-Western score by Marlin Skiles is notable. At the end of the day “The Deadly Companions” shoots for dark art with a message of maybe redemption but, after the quality first act, never rises above mediocre. And verges on “The Deadly Dull.” I kind of liked it, though, but you have to be in a meditative, brooding mood. GRADE: C
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.
An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Farsighted Falcon, chief of the Lakota, seeks refuge in the Black Hills with his wife Blue Hair and two warriors, sole survivors of their tribe. When they are attacked by the outlaw Bashan, Falcon strikes out for the town of Tanglewood to take on Bashan's boss, mining magnate Harrington.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
Two best friends, Clint and Lenny, set out to pan for gold during the California Gold Rush. They have a stroke of luck and find a significant amount of gold in their pans. As they continue to pan, Clint becomes increasingly fixated on finding more and more gold, to the point where he becomes ruthless and starts to turn on Lenny. Lenny tries to remind Clint of the importance of their friendship and the values they once held, but Clint's greed continues to consume him. Eventually, their friendship is put to the test as Clint's behavior becomes increasingly dangerous and erratic. Will the gold be the end of their friendship, or will Lenny be able to save his friend from the destructive power of greed?
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.
The construction of the Great Western Railroad creates heavy conflict between the railway company and neighboring Indian tribes. Worse, criminal gang leader Santer sets his eyes on a gold mine located on holy Indian land and influences the construction supervisor to re-rout the planned railroad straight through Apache land. Old Shatterhand, who works as a measurement technician, discovers the evil plan and searches contact with the Apaches in an effort to avert war.
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.