U2: Rattle and Hum

Live concert by Finnish symphonic metal band Nightwish. It was recorded in Tampere, Finland on 29 December 2000. Setlist: 1. The Kinslayer / 2. She Is My Sin / 3. Deep Silent Complete / 4. The Pharaoh Sails to Orion / 5. Come Cover Me / 6. Wanderlust / 7. Instrumental (Crimson Tide/Deep Blue Sea) / 8. Swanheart / 9. Elvenpath / 10. FantasMic (Part 3) / 11. Dead Boy's Poem / 12. Sacrament of Wilderness / 13. Walking in the Air / 14. Beauty & the Beast / 15. Wishmaster.

A live concert in tribute to Freddie Mercury, former lead singer of Queen. Mercury died of AIDS and so some of the proceeds of this concert went to AIDS research. Features performers such as Metallica, Def Leppard, Elton John, Axl Rose, Extreme, George Michael, and many others. Performers alternate between doing their own hits, covering Queen songs, or jamming with the surviving members of Queen.

Back in Town is George Carlin's ninth HBO special. It was also released on CD on September 17, 1996. This was also his first of many performances at the Beacon Theater in New York City. He rants about Abortion, The death penalty, prison farms, fart jokes, free floating hostility and words.

The AC/DC Plug Me In DVD collection brings together for the very first time an astonishing five hours of definitive live concert and television performances - many of them previously unavailable - chronicling the on- going career (now in its fourth decade!) of a groundbreaking rock & roll powerhouse whose music transcends the test of time.

A bored trio of high school delinquents start a rock 'n' roll band together. They have no skill, money, or even a full set of drums, but are determined to jam out and impress their only friend.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers-all of which comes across in the 90-minute film.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.