Don't Give Up On Us

On a storm-ravaged island that has seen its share of tragedy, a person who had been assumed dead reappears and ignites a frenzy of reactions, ranging from ecstatic religious fervor to fear.

Jewel is a mysterious woman who lives alone in the city. She has a secret which has led her to settle into a lonely existence. That is, until she meets Nico, a broken-hearted, down-and-out guy who also feels unlovable like she does. Jewel is torn between wanting to love him and wanting to save him from herself.

Mikey, a young, discreet, gay man from the affluent class, spends five years in a city jail while hearing his case for drug pushing. Inside prison, Mikey holds back to adapt to the culture and stratification among inmates. Eventually, Mikey becomes a ‘Mayor’ (ring leader) to a group of gay inmates called “Gang-da”. Together, they thrive to survive the dangers of several gang riots, the mundane, and the decay of human dignity.

Two women in a remote Muslim community confront an escalating blood feud and reach deep into themselves in hopes to undo the feud stretching back generations.

A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.

ABNKKBSNPLako?! The Movie follows the timeline of writer Bob Ong's school days, the main concept is to reminiscent the unforgettable memories of the old high school life.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

A Filipino-American gets an opportunity to audition in his hometown, but he must choose between staying true to himself and his culture or conforming to fit the standards of society.

Ten years ago, Ginny, an Architecture student, and Marco, a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco’s unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

A romantic comedy about a woman who turns to her ex for inspiration for a movie she's writing.