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The fifth and final film of the Cinequest Film Festival was AGNUS DEI back at the Camera 12. Based on a true story, the film takes place during the Kosovo war. Peter (Astrit Alihajdaraj) is a teacher, loves his mom very much, despises his drunken lush of a father, and refuses to fight in the war. However, he's forced to join against his will, and soon becomes one of the finest and respected soldiers ever. But the slaughtering of the innocent civilians has worn him down, and he risks his life saving an Albanian girl named Maria (the beautiful Dafina Berisha). They travel back to Peter's mom's house, only to discover a terrible family secret that will destroy Peter's entire world. So this was based on a true story?! Unbelievable as it may sound, but it is indeed all true. Director Agim Sopi wrote the screenplay after reading a article in the paper about a man who discovered a secret family lie that unfortunately killed him. Sopi's directing is brilliant, capturing the ugliness of war and the lost of one man's ability to cope with what he has done.Astrit Alihajdaraj was Peter, no question about it. When I was watching the film, all I saw was Peter, not an actor. Dafina Berisha (with her mouth dropping beauty) was amazing in the film, propelling Peter to finally do the right thing. This was the film's last screening, but you can check out the film's official website at www.agnusdei-movie.com. Posted by Philip Castor
In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.
Living in a crowded, multi-generational household in a small village in Kosovo, the quiet teenager Venera can rarely find privacy. However, when she befriends the rebellious Dorina, a new, liberating world opens up to her. Slowly, Venera begins to push against her conservative family’s expectations.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
Sokol is a middle-aged Kosovar Albanian who, together with his family, emigrates from Kosovo to Turkey, and faces the foreign and unknown world. After some time he becomes homesick, eventually leaving his last will he gave to his son that when he dies, his bones will be returned to his native country. He dies near of a cliff at the Black Sea coast. In his native village, the news that Sokol has been returned from emigration are being spread.
Kosmet in the fall of 1944. The Partisans have successfully liberated the town of Prizren from occupying Germans,and Ramiz Leshi, a brave and cunning KNOJ captain, has to liquidate the remainder of the local Quislings, called Balists. They are led by a ruthless, German-trained soldier Kosta and by Ahmet, the brother of the famous Captain. As Ramiz is trying to get Ahmet out of the gang and hunt down the rest of the Balists, 2 new girls arrive in town. One of them is Lola, a bar singer with a questionable agenda, and the other is Vida, a withdrawn music teacher from Belgrade.
Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.
Prishtina, Kosovo. Mark works as 'an international employee'. One night he meets three local girls in a bar: Besa, her girlfriend Hana, and Shpresa. Mark is attracted to Shpresa's extreme passion, but the romance is soon shattered. Her mood swings from passionate love to hate and death threats in a matter of seconds. For Mark this is hard to handle. He believes Shpresa might suffer from borderline personality disorder. As he wants to confront her, she starts pushing him away. Hana and Besa's relationship is also in danger, but for a completely different reason: Hana is afraid of the social stigma that love between two girls carries in the deeply conservative and patriarchal Kosovo.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.
This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.
Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...