War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
> Wolves in a pack hunting for a beast-sheep. The first thing I remembered was, 'Save the Green Planet', but it was a crime-thriller, not a fantasy-sci-fi. Tough guys in the leather jackets, guns in the one hand and cigars in the other, that's what I imagined when Tarantino favoured it. But this film was slightly not an aggressive like too violent. The screenplay was disturbed frequently when it begins to engage on the nervous side. Hence it makes you say 'just missed', sometime disappointedly. Anyway, no one told me it was a dark comedy, I took it as a surprise and somewhat enjoyed it. It was on the serious subject, but not the presentation. Keeps everything lightly, especially conceals the dark side of truth for the final twist. For us, as the viewers, the prediction is two ways, either 'he did' it or 'he didn't' like taking a side. Film length was good with a moderate pace. There's no place for the characters to unroll with the proper introductions, including not even the opening event on which the whole film stands. From the beginning itself the writer wanted to save it for the final revelation. That's not smart, that's afraid of leaving hints. > "Maniacs are afraid of maniacs." Kind of similar to Hollywood's 'Prisoners'. Well, almost matches, except the characters and places. A good movie, but not that good. Well attempted, I am sure many would love this film. The narration is about kidnapping a guy on the suspicion of crime for a secret interrogation. It hauls in the remaining till advance to the crucial end part. In the mean time, the torturing techniques and the suspense hold our position. Because of Tarantino's nod, it's an easy 'go for it', well, mostly for his fanbase. I say consider it and decide yourself after the watch, don't believe, not even me. To me it was the great opportunity missed to dominate, especially having a powerful title and theme. Still, I don't reckon it is a bad or worst movie, but surely one of the year's top 50 or maybe 25. The movie was as I thought. The story and my anticipation were on the parallel track aiming the same direction. At least I was occupied, but the issue was, it did not go above my expectation to surprise me with some interesting elements. It flunks, like trying to fill the new wine in an old bottle with the old label and description in it. Stylish, but attempted to be too clever was the let down by the slimmest margin. On the other hand, as coming from the Israeli, it is exceptional. 6.5/10
Quentin Tarantino called this the best film of 2013 and it's easy to see why. It's very dark humor with an unpalatable subject, and with the same wry humor as QT. I found it brilliantly put together by the writer/directors and the acting is great. There is no character development which is clearly a choice to keep the audience at a safe distance from the heart of film. I find that to be a very creative choice that allows us to laugh instead of cry. If you're a QT fan, don't miss this gem.
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.
A mysterious love triangle leads to a tragic shooting. Months later, eight members of a MySpace-esque chat room are being gruesomely murdered in the privacy of their own homes.
A razor-wielding serial killer is on the loose, murdering those around Peter Neal, an American mystery author in Italy to promote his newest novel.
When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.
While playing a prank, a young boy accidentally discovers the identity of a criminal lurking in the neighborhood.
Mystery writer Sian Anderson leaves her boyfriend John for three weeks of intense writing in the isolated Greek town of Monemvassia. Upon her arrival in the ancient, deserted, walled-in fortress, she is met by Elias Appleby, the round eccentric landlord who guides her through mysterious underground passageways to the house where she will work. He warns her to stay inside at night because of the killer winds that arrive after dark.
Terror stalks a small California community when a broke and depressed animal owner and trainer is forced to abandon his tigers and let them fend for themselves in the nearby wilderness.
Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris police department, now a businessman whose brother-in-law is missing. The missing man's parents hire Xavier over their daughter's objections, and quickly he finds himself in the realm of children's sexual slavery.
Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.
Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.