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Though I haven't watched a lot of them yet (I've mainly devoted my time, of late, to catching up on 1920-1970s cinematic milestones), I have a profound respect for the new roles Liam Neeson has taken on in recent years. It makes me think of what would have been had my favourite actor ever, James Cagney, hadn't basically retired for the quiet life in the early 60's, when the perfect storm of 'great actors in B-movies' hit the fans. My lady is more a horror aficionado, and of recent vintage films, so it was nice to throw this on for a spin and show her its neo-noir tendencies, almost as if going through a 'make your own movie' template, checking them off one-by-one. I don't mind that sort of rote predictability if it's done right, and, though heavily flawed, for the most part it does. By the climax, I basically only cared for four things: that the kidnapped girl, Matthew Scudder and TJ were alive, and that the two kidnappers/murderers got their just desserts, whether it be lengthy incarceration or murder, anything so their crime spree would be ended. The film was well-made and a very enjoyable experience, so considering the relatively minor flaws (especially the one-dimensional aspect of the antagonists), I would definitely recommend at least a watch for most cinephiles out there, especially those interested in 'true crime' type of contemporary American cinema.
This movie had quite some premise and it is a decent enough movie but, sadly, it never really rises out of the ordinary. We have some really despicable criminals and I mean some real creepy nutcases and we have Liam Neeson as a gritty former cop turned private investigator. Good recipe to start with I would say. Unfortunately it never really took off. Liam Neeson is doing a good job of portraying the former cop and he is pretty much making the picture. The creepy guys are, well creepy but they never really get to shine in their creepiness. Most of the other characters around are just decoration with the possible exception of the young brat whom I personally just found annoying. Speaking of annoying I have to say that the AA sessions and the voice overs from them pretty much falls into that very category. They felt at best like unnecessary fillers to me. I do not know why it is so popular to portray “heroes” as drunks or former drunks. The movie is not a quick paced one. It is more of a thriller than a action one although there are a few outbursts of action. Sometimes it goes quite far down the road of some real detective work and sometimes it just jumps about leaving a few inconsistencies and plot wholes hanging around. I would say that this movie is a fairly ordinary, good but nothing special, crime story about two psychopaths and a gritty former coop given the task of chasing them down. Without Liam Neeson as a lead actor more or less carrying the movie along it would have been a fairly bland movie.
Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.
Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.
A country boy becomes the head of a gang through the purchase of some lucky roses from an old lady. He and a singer at the gang's nightclub try to do a good deed for the old lady when her daughter comes to visit.
A dwarf and his poor, but loving, family who are forced out of their house by a real estate agent.
The shy Byung-tae has a crush on Mi-ran, a college student. He fails to win her over. Disheartened, Byung-tae runs away from home in search of something more. He wanders the streets when he meets and hangs out with Min-wu, a beggar. They walk around the city when they meet Chun-ja, a mute maiden, in the red district. With Min-wu's support, Byung-tae wants to help recover Chun-ja's voice and find her hometown. They rescue Chun-ja and head for her hometown.
Han Byung-tae, who teaches at a private after-school academy in Seoul, receives word that his old teacher has passed away and sets off to the rural village where he attended elementary school. In the train, he reminisces about the tough fights he used to get into back in the day.
A conservationst, stranded with his family at a Newfoundland coastal resort, flies in the face of custom and fights an entire community to prevent a trapped whale's slaughter with only the support of his wife and one of the locals.
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.
Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.