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**Larry Flynt: the man, the monster, the hero and the pervert.** After seeing this film, I had the feeling that I should start this text with a warning: we should not mix our opinion about Larry Flynt with our assessment of the film. I loved the film, but I'm the first to admit that I don't feel any sympathy for the biographed person. Regardless of my opinion, sex sells, people are attracted to anything that has a forbidden aroma and, even today, the magazine “Hustler” is a success, with a television channel dedicated to adult content. The real Larry Flynt proved to be a provocative and materialistic man: he made a fortune off the exploitation of pornographic magazines and used all means to shock people, ridicule the conservatives who criticized him, and confront society and the judicial system. He demanded to be respected, but was incapable of respecting anyone who criticized him; He used the First Amendment to defend his right to publish what he wanted, forgetting that same document when he heard criticism of what he published. Dear reader, I don't have to be a lawyer to know that the same right that protected Mr. Flynt also protected everyone who expressed a negative opinion about him within the limits of urbanity. And if it is true that freedom of expression is crucial to the democratic system, it is also true that it is not an absolute value, it must be limited in a way that protects the rights and freedoms of other people. Unfortunately, the world is full of people like Larry Flynt, who demand the right to say whatever they want, but are unable to tolerate an opinion contrary to theirs. Of course, I also don't feel any sympathy for the professional activity of Mr. Flynt, a sexist man who profited from the objectification of sex and the female body, and I am disgusted by the business he created around that magazine. However, the film is fantastic. Milos Forman, who accustomed us to great works full of style and personality, surprises us once again with a film that does not shy away from provoking its audience, putting its finger on the wounds that hurt the most. The director made skillful use of cinematography, environments, filming locations, sets and costumes in order to construct a narrative that explores very well Flynt's controversial and contradictory nature. For several moments, I was afraid that the script would make the mistake of beatifying or cleaning up Flynt's image. However, I truly believe that Forman managed to avoid this and give the audience a neutral narrative, where he reveals the best and worst of this complex man. The film is reasonably discreet in its use of effects and the way it was edited, but it has a strong cast solidly based on the participation of Woody Harrelson. Looking at the finished film, I don't think I could imagine another actor better suited for the character in question. Harrelson gave himself body and soul to this project and produced one of the most consistent and powerful works of his film career, rightly deserving of an Oscar nomination. Courtney Love is perfect for the role she played, especially because the actress knew perfectly well the effects of substance abuse and was uninhibited enough to naturally face the nude scenes she was subjected to (something I tend to condemn, but I can understand, considering the film and the character) In turn, Edward Norton (at the time, experiencing a particularly radiant moment in his professional career) and Brett Harrelson make a frankly positive contribution. Richard Paul and James Cromwell also do a decent job, but they don't have the space or time to add much and seem somewhat wasted.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.