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Andrea Mitchell Reports - (Jan 28th)
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The Young and the Restless - (Jan 28th)
The Chase Australia - (Jan 28th)
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Black Snow - (Jan 28th)
The 11th Hour with Stephanie Ruhle - (Jan 28th)
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Liberalism gone loony RELEASED IN 2013 and directed by Mike Lerner & Maxim Pozdorovkin, "Pussy Riot: A Punk Prayer" is a documentary about the feminist/anti-Putin Russian punk rock collective, Pussy Riot, and the arrest & trial of three of its main members (Nadezhda Tolokonnikova, Maria Alyokhina and Yekaterina Samutsevich) for their offensive protest “performance” at a Moscow cathedral in 2012 wherein they were charged with hooliganism motivated by enmity toward a religious group and disturbing the social order. I have an obvious message for these three women (aged 22, 23 and 29 respectively at the time of the events): If you don’t want to go to jail don’t enact hateful criminal protests. Let me put it this way: What if several conservative Christians visited whatever dive they “perform” at and carried out a mocking, hostile rant against them and their ilk? They’d be incensed and immediately put a stop to it, not to mention press charges to prevent it from happening again. Speaking of “performing,” the girls’ music is laughably trite punk ditties. Separated from the political hype, their cacophonies wouldn’t register even a blip on the punk/rock/metal barometer. A couple of the females are asked what they’re protesting against and one of them says they’re objecting to the (supposed) Russian expectation of women to have babies and do little else in society. But (1.) no one’s forcing her or anyone else to have babies and (2.) the movie itself shows women in all kinds of significant professions in Russia, including two judges, a prominent lawyer and police officers. It’s a classic case of rebel without a cause. If they don’t like Putin, fine, vote against him and look into becoming a politician. If you don’t like the conservative sway in current Russian culture, then do your part to respectfully influence society to your point of view, which would include offering a positive example of your (supposedly superior) belief system. Instead, these women opted for outrageous acts in their 3-year protest against the Russian government, culminating in the sacrilegious incident at the Russian Orthodox cathedral: They stuck poultry up their you-know-whats in supermarkets, spray-painted vulgar graffiti on bridges, staged an unbelievable public orgy at a museum when Nadya was eight-months pregnant, which is actually shown in the movie for like 10 seconds (two clips). Seriously? In response, Putin expressed “I’m surprised they weren’t arrested prior to this.” So am I. The flick is evenhanded in that it lacks a biased narration and simply shows the actual footage, translating the Russian verbiage into English, with a smattering of interviews with parents, husbands and whoever. It’s a fascinating documentary in that it reveals modern Russian culture, its predominant values and lunatic fringe. I was surprised to observe that the elder disciples of the Russian Orthodox Church resemble formidable American bikers more than anything else. Despite these positives, I’m not giving the film a higher rating because it foolishly sides with the girls. Which is baffling since anyone with a modicum of common sense can see that they got precisely what their doofus behavior deserved. If a group of conservatives in America did what these women did, but enacted toward liberal people & institutions, they’d be lambasted by the lamestream media and imprisoned for years for hooligan hate crimes. Of course loony libertines are notorious for their hypocritical double standards. THE MOVIE RUNS 1 hour 28 minutes. GRADE: C-
Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.
The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.
Joe Corré, son of punk visionaries Vivienne Westwood and Malcolm McLaren, burns an estimated £5M worth of punk memorabilia protesting the commodification of punk. The film takes this incendiary act of ‘cultural terrorism’ and the questions it raised to explore the lifespan and true worth of punk - the 20th century's most volatile movement.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.