War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Liberalism gone loony RELEASED IN 2013 and directed by Mike Lerner & Maxim Pozdorovkin, "Pussy Riot: A Punk Prayer" is a documentary about the feminist/anti-Putin Russian punk rock collective, Pussy Riot, and the arrest & trial of three of its main members (Nadezhda Tolokonnikova, Maria Alyokhina and Yekaterina Samutsevich) for their offensive protest “performance” at a Moscow cathedral in 2012 wherein they were charged with hooliganism motivated by enmity toward a religious group and disturbing the social order. I have an obvious message for these three women (aged 22, 23 and 29 respectively at the time of the events): If you don’t want to go to jail don’t enact hateful criminal protests. Let me put it this way: What if several conservative Christians visited whatever dive they “perform” at and carried out a mocking, hostile rant against them and their ilk? They’d be incensed and immediately put a stop to it, not to mention press charges to prevent it from happening again. Speaking of “performing,” the girls’ music is laughably trite punk ditties. Separated from the political hype, their cacophonies wouldn’t register even a blip on the punk/rock/metal barometer. A couple of the females are asked what they’re protesting against and one of them says they’re objecting to the (supposed) Russian expectation of women to have babies and do little else in society. But (1.) no one’s forcing her or anyone else to have babies and (2.) the movie itself shows women in all kinds of significant professions in Russia, including two judges, a prominent lawyer and police officers. It’s a classic case of rebel without a cause. If they don’t like Putin, fine, vote against him and look into becoming a politician. If you don’t like the conservative sway in current Russian culture, then do your part to respectfully influence society to your point of view, which would include offering a positive example of your (supposedly superior) belief system. Instead, these women opted for outrageous acts in their 3-year protest against the Russian government, culminating in the sacrilegious incident at the Russian Orthodox cathedral: They stuck poultry up their you-know-whats in supermarkets, spray-painted vulgar graffiti on bridges, staged an unbelievable public orgy at a museum when Nadya was eight-months pregnant, which is actually shown in the movie for like 10 seconds (two clips). Seriously? In response, Putin expressed “I’m surprised they weren’t arrested prior to this.” So am I. The flick is evenhanded in that it lacks a biased narration and simply shows the actual footage, translating the Russian verbiage into English, with a smattering of interviews with parents, husbands and whoever. It’s a fascinating documentary in that it reveals modern Russian culture, its predominant values and lunatic fringe. I was surprised to observe that the elder disciples of the Russian Orthodox Church resemble formidable American bikers more than anything else. Despite these positives, I’m not giving the film a higher rating because it foolishly sides with the girls. Which is baffling since anyone with a modicum of common sense can see that they got precisely what their doofus behavior deserved. If a group of conservatives in America did what these women did, but enacted toward liberal people & institutions, they’d be lambasted by the lamestream media and imprisoned for years for hooligan hate crimes. Of course loony libertines are notorious for their hypocritical double standards. THE MOVIE RUNS 1 hour 28 minutes. GRADE: C-
With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.
"Getting The Knack" chronicles the controversial career of power pop stars, The Knack. Viewers will witness a compelling tale of instant stardom and spectacular failure, a story marked by heroin addiction, alcohol abuse, vicious inner-band feuding and massive critical backlash. "Getting The Knack" explores the group's career via candid interviews with the original band, producers Mike Chapman and Jack Douglas, Sharona Alperin, (the inspiration behind their biggest hit), Steve Jones of The Sex Pistols, Rick Springfield, Elliot Easton of The Cars, Devo's Bob Mothersbaugh, comedian Weird Al Yankovic and many more. Narrated by Cherie Currie of The Runaways, "Getting the Knack" is augmented by scores of rare photos and previously unseen archival footage providing a no-holds barred look at the rise and fall and ultimate resurrection of the group.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.
In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.
A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition - one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.
Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.