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What is very interesting about this movie is how it brings together two really similar cultures. While Stephanie Che in the movie is from the mainland, she is actually a rising star in today's Hong Kong cinema recently starring in "Men Suddenly in Black" and her character really reflects the ex-patriot longing felt by many who leave HK. This is placed next to Iceland which is its own isolated world from the rest of Europe. Ex-pats of Iceland also have the same feeling as those of HK, of leaving a very small place but having intense longing for it still. Jon Gnarr's character is like an expat living in his own world, trying to get by. This is where the comedy kicks in everywhere. The movie even has time to include a whole satirical commentary on pyramid schemes which Gnarr gets into which affect even places like Iceland. The central attention of the movie in the end is the social commentary. Iceland knows just as little as Hong Kong, vice versa. Us Americans can perceive the subtle racism commentary but actually we realize Iceland, regardless of how developed and advanced a country, is still culturally a small Midwest town. In spite of black cardigan sweaters, cashmere scarfs, and hip furniture, ignorance is a pervalent trait which someone on an isolated world can't escape. The movie also achieves a successful combination of Icelandic, English, Chinese Cantonese, and Chinese Mandarin. Icelandic and Cantonese of which are languages which are being threatened to diminish at the hands of the accompanying one. The title A Man Like Me harkens really to Gnarr's situation living alone, finding money, trying love at middle-age when everyone else is already better off. But the story shows how so much is out of control of your own and the end lets you know life is just life.
Nothing brings a loving family together like a friendly board game over the holidays. This is not that story.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the 'black sheep' of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
With Tragically, I Need You, Lewis Black brings his inimitable insights to the post-Pandemic state of the world. Picking up where he left off with the Grammy-nominated Thanks For Risking Your Life. This time Lewis has the view of someone who spent entirely too much time in isolation during the Pandemic, where the irksome details of life drew his acute attention. As the world shut down in the spring of 2020, Lewis went on a quarantine-tinged journey of self-discovery which led him to many personal revelations, including that he is old, that solitary confinement is a punishment, and that all recipes are made for a happy family of four, and most importantly, never look directly in a cat’s eyes.
Two brothers from a dysfunctional family chase their respective dreams while engaging in other bizarre antics. One brother dreams of becoming a manga artist and the other wants to be a professional baseball player.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.
Randy Feltface teams up with a typewriter in this hilarious hour of spoken word and gratuitous arm movements.
