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A Gift of Cochise. Hondo and the Apaches is directed by Lee H. Katzin and adapted to screenplay by Andrew J. Fenady, which is based from a work by James Edward Grant, from a story titled A Gift of Cochise written by Louis L'Amour. It stars Ralph Taeger, Noah Beery Jr., Robert Taylor, John Smith, Kathie Brown and Michael Pate. Music is by Richard Markowitz and cinematography by Lester Shorr. Not released theatrically in America, this is two episodes of the TV show "Hondo" spliced together for a release in Europe. Derived from the John Wayne character that headed up Hondo (1953), the plot pitches Hondo (Taeger) as a frontier scout who has a justifiable affinity with the Native Americans. He is sent to broker peace with the Apaches, but a renegade band want no part of it and Hondo must do all he can to avert a war. It actually is better than it had right to be, because it's nicely performed, has pleasant scenery, and the characters in the main are not just throw away types. Throw in some decent action, a grumpy canine partner for Hondo and a musical score lifting from Bernstein's Magnificent Seven classic, and yer good to go. Taeger is appealing, the character fun (he punches a lot of people out/the rapport with the dog), whilst Taylor is on hand to add a bit of reassuring quality. It is what it is really, a safe enough production for Western fans to enjoy while it's on. 6/10
Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.
A trio of American adventurers marooned in rural Mexico are recruited by a beautiful woman to rescue her husband from Apaches.
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.
As the Cavalry tests the viability of bringing camels to US deserts, a surveyor, Arab drivers, and fugitive bank robbers confront Apaches and thirst. Originally filmed in 3-D
Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.
'The Oilprince' is an unscrupulous businessman. He looks forward to a lucrative deal with the "Western Arizona Bank'. He sells the bank oil wells at Shelly Lake that do actually not exist. The Oilprince learns that the colonists would like to settle at Shelly Lake. So The Oilprince exchanges the scout of the settlers by one of his minions to give them another route. But soon The Oilprince has to recognize that he has not counted on Winnetou, the righteous leader of the Apaches, and his blood brother Old Surehand.
The Apache Indians have reluctantly agreed to settle on a US Government approved reservation. Not all the Apaches are able to adapt to the life of corn farmers. One in particular, Geronimo, is restless. Pushed over the edge by broken promises and necessary actions by the government, Geronimo and thirty or so other warriors form an attack team which humiliates the government by evading capture, while reclaiming what is rightfully theirs.
Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas.
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.