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Good start and ending, weak middle, but magnificent photography and haunting score "Kingdom of Heaven" (2005) isn’t as good as contemporaneous sword & sandal flicks "Troy" (one of my favorites) and "King Arthur" (very good), but it's not bad either. THE PLOT: After the death of his child and suicide of his wife, Balian (Orlando Bloom) meets his long, lost father (Liam Neeson) who encourages him to go to Jerusalem and start a new life. After a long eventful trip, Balian arrives in Jerusalem and is introduced to Princess Sibylla (Eva Green), the leprous King Baldwin and other VIPs. The political maneuverings of these key personnel is mindboggling (I suggest using the subtitles to keep track of who’s who) but, when all is said and done, Balian must rise to the challenge of defending the city against Saladin (Ghassan Massoud) and his great Muslim army. Like "Lawrence of Arabia" (1962), "Kingdom of Heaven" is a film that can be enjoyed just for the visuals and soundtrack. The film was shot in Morocco where a vast replica of ancient Jerusalem was built in the desert with the backgrounds enhanced by CGI effects, and so on. Story-wise, the beginning and ending are strong while the convoluted soap operatics of Jerusalem aren't very compelling, but Eva Green's awesome eyes help. I'm no connoisseur of the crusades but I realize the filmmakers put a modern spin on the events and ideology of the characters. So what else is new? In any case, I was impressed that all the main players are based on real-life people and that the gist of the story is accurate. The Theatrical Cut runs 144 minutes and the Director's Cut about 48 minutes longer. The DC is heralded as one of the best DCs ever, like "Daredevil" (2003). BOTTOM LINE: "Kingdom of Heaven" is worth it just for the magnificent visuals and soundtrack. The story starts strong and ends strong while the dramatics of the lengthy mid-section are complicated and not very compelling. But story drive and interesting characters were never director Ridley Scott’s strong suit. Nevertheless, Orlando Bloom is likable as the protagonist and Massoud makes for a striking Saladin, who doesn’t appear till the halfway point. GRADE: C+/B-
One of the most hated movies by Ridley Scott, that shows the difference of what versions and cuts can have on a movie. This movie have a Theatrical version (144 min.) a Director's Cut (189 min.) and Director's Cut Roadshow Version (194 min.) (that I watched years after watching the theatrical on cinema). The movie is loosely based on the story of Balian I of Ibelin (originally a noble of French or Italy, but portraited as his son in this movie and epoch) travels to Jerusalem during the Crusades of the 12th century, and there he finds himself as the defender of the city and its people. A tale of noble actions and ideals on the 2nd Crusade among equally noblesse and troubled people. It is not totally historically accurate (let's say 50%) but is one of the most impressive movies about the crusade with all the desert, sun and bloody scenes than you can imagine (and a fictional end). Originally a 7.0 raised up to a 7.8 out of 10.0 in this version B+ (not sure if this is the version that Netflix have).
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.
Kiki's successful life changed drastically after the death of her husband, Ronald. She faced various problems: financial difficulties, job loss, and the threat of losing her daughter. She did not give up. Together with her best friend Rahma, she tried to find happiness in her life again.
Katie and her husband go to a dinner party with their new neighbors. As the night progresses, the neighbors appear to have sinister motives behind the gathering.
After a tumultuous rise to power, the first Muslim Sultana of Delhi fights to guide her kingdom while the people closest to her plot against her.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis. Aided by the wise and magnificent lion, Aslan, the children lead Narnia into a spectacular, climactic battle to be free of the Witch's glacial powers forever.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.