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This is a superb character-driven performance from Jeanne Eagels as the bored wife who turns from her indifferent husband "Robert" (Reginald Owen) to the caddish "Geoffrey" (Herbert Marshall). When the latter shows her his true colours, he gets his comeuppance and a trial ensues. Provocation bordering on attempted rape is cited and she looks set for acquittal until it emerges that his Chinese mistress is in possession of a letter that might not quite support her version of the story - and she wants £10,000 for it! The production is quite heavily styled, very theatrical without very much visual intensity (the print I saw was really rather dark and gloomy) - but it's the performance from the star that sets this apart. She is enthralling, her stage background helping to provide us with an excellent tour de force that is really good to watch.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Adaptation of the play A Doll's House by Henrik Ibsen.
Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
