アメイジング グレイス ～儚き男たちへの詩～

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.

Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.

Gokudo Shimamura comes to blows with the Delinquent Boss who rolls into town with his motorcycle gang.

Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.

Set 10 years after "Kids Return." Shinji and Masaru have graduated from high school with different paths in their lives. Shinji attempted to become boxer and Masaru a yakuza. They both tried to rise to the top of their respective fields.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.