Dood van een Schaduw

A Japanese-Chinese couple hangs out and shoots each other.

After losing their spouses in a plane crash, an internal affairs cop and a congresswoman find each other's keys in each other's loved ones' possessions and discover that the two were having an affair.

It's the night before Hogswatch, usually a time of joy on Discworld, but there are suspicious going-on and the criminal underworld is abuzz. The beloved Hogfather - the jolly bearer of glee and pork-related gifts for children everywhere - has vanished. Suddenly, Discworld's entire mythical system is under threat. The fate of this magical time rests in the hands of a very motley group: A band of wizards headed up by a mystical university president named Mustrum Ridcully (Joss Ackland), a loyal manservant called Albert (David Jason), a level-headed governess called Susan Sto Heilt (Michelle Dockery), and her grandfather, who happens to be - Death (Marnix van den Broeke).

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

In a new, predatory ice age, two brothers search for a place to call home.

Embers and Dust focuses on the perspective of a young farm boy and his family, and how the night of Orson Welles' dramatic broadcast of War of The Worlds unfolded for them.

A young Austrian soldier in World War I fights his way through the Alps to rescue his Italian girlfriend and escape the impending explosion that will rock the mountain.

Prompted by the death of his father and the grief of his mother, a man recalls the story of how they met in flashback.

When a young woman's boyfriend dies, she slips into grief and begins to believe that his spirit has returned in the form of a menacing skeleton doll.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.