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I'm not a bloody horse! This is the story of Lord John Morgan, an honest earthy person who is captured by the Sioux in 1825. Abused and treated as an animal he comes to adapt to his life in order to survive. Enduring torture and oppression he must earn their respect in order to be accepted as part of their tribe. The white man as part of a Sioux tribe story was given a major shot in the arm with Kevin Costner's Oscar bagger, Dances With Wolves in 1990. This picture came out some twenty years before Costner's stylish picture but the two films couldn't be further apart in terms of story telling. Here in Elliot Silverstein's picture, the scenery and scope is certainly lush, but the niceties stop there for this is a harsh, at times painful, story with realism dripping from each frame. Silverstein wanted to get as close as he could to the facts of the Sioux way of life, even bringing in a Sioux historian to oversee the production. The Sioux are painted on both sides of the canvas, on one side we are shown them to be violent, even sadistic, but Silverstein also portrays them as an intelligent race driven on by intense loyalty to their ways and culture. Richard Harris plays our main protagonist and has a clear license to act with immense verve and vigour, it's a memorable turn that lingers long after the credits roll. Hurting the film is a twee romance between Morgan and the Chiefs daughter (Judith Anderson) and Jean Gascon's fluctuating accents start to grate entering the film's last quarter. But really the plus points far outweigh the little irritants in the piece. The editing from Philip W. Anderson & Michael Kahn is like a whirling paean to hallucinations, and some scenes are from the top draw, most notably the Vow To The Sun ritual that literally is painful to watch. A Man Called Horse may well be of its time, but it's certainly a very interesting and highly intelligent film. 7/10
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters - one who became his wife, and the other, his biographer.
In 1934 on the serene Navajo reservation, Mary Jane spends her time daydreaming and tending to her family's flock of sheep. When her older sister returns from boarding school with a world geography book, she reveals new worlds that are "just over the mountain." Conflicted by her obedient nature and her curious imagination, Mary Jane must privately decide to either maintain her lifestyle or depart into the exotic unknown.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.
A white man trades with the Comanche for the release of a female stranger and the pair cross paths with three outlaws who have their eyes on the handsome reward for bringing her home and Comanche on the warpath.
The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.