Dance Craze

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

This program presents the life and ministry of George Muller, who cared for thousands of orphans in 19th century England. He never asked anyone for money. Instead he prayed, and his children never missed a meal.

It is April 15th, 1989. Thousands of fans are rushing into Hillsborough stadium in Sheffield to watch the FA-Cup semi-final between Liverpool FC and Nottingham Forrest. The day ends with one of the greatest tragedies in football: 96 people do not survive the catastrophe of Hillsborough. 766 get injured. The 30-minute-long documentary especially gives a voice to the survivors.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

In the Cumbrian seaside village of Siddick, 9-year-old Laura-Anne narrates a year in her life in rhyming couplets, as she navigates the pitfalls of young love. Enduring various betrayals and heartbreaks, she persists in her quest to find her prince.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.