Suzie

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.

Elling has lived with his mother all his life. Mom is the practical one, while Elling ponders the more theoretical aspects of life. He spends his time in their apartment reading books and looking at the neighbours through the living room window. Elling doesn't seem to need to be around others like most people. That's why Elling is less than enthusiastic when his mother suddenly decides to take her son on a beach vacation to Spain. Reluctantly, Elling agrees. After all, a lady at her age needs a good man by her side. But what Elling refuses to realize is that Mom is not only old, but also sick. Very sick. On her last vacation she tries to get Elling to see that life is bigger than their living room.

In the sequel to Saltimbancii (1981), Fram the polar bear and the performing Marcellonis weather plotting competetors, bumbling kidnappers and family tragedy in this entertaining family film.

Orphans is the true story of a forbidden love affair set in the oppressive and violent atmosphere of nineteenth century Mexico. One man, Melchor Ocampo, driven by the twin passions of love and idealism, defies the stain of illegitimacy to shake off the crippling yoke of Spain and the Catholic Church. In so doing he becomes a founding figure of modern day Mexico.

After the death of her husband and teenage son, a woman puts an ad in a newspaper for a surrogate child.