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This is an amazing Japanese classic written and filmed without flaw. The action unfolds in story-telling within story-telling. This is a film about truth. Whose truth? That is the unfoldment. In a perverted way, this amazing piece of work has become predictive of Western corporate banking. Perhaps you'll see what I mean at the end of the film.
**It's a film that might scare modern audiences a bit, but it deserves the opportunity we want to give it.** In addition to having a very strong film industry, Japan is a country with a very rich past that we in the West tend to devalue. A somewhat ethnocentric attitude, more typical of small minds. For a long time, the Japanese were a people divided by several feudal princes who fought among themselves, disputing power and regional influence. It was in this context, moreover, that the first contact between the Japanese and the Portuguese took place, the first Westerners to disembark, demonstrably (Marco Polo speaks of the Japanese, but he probably never went there), on the islands of Japan, where they took the first firearm, the Christian faith and a strong cultural influence: even today, in the Japanese language, there are hundreds of words directly imported from Portuguese. The film that brought me here tells us about one of the most fascinating traditional figures of Japan: the samurai, a warrior similar, in essence, to the European knight. They were educated people who were willing to live off the war, as paid mercenaries. In a land where each feudal lord wages war for himself, with his own troops and against his neighbors, it was not difficult to live off war. It would be difficult to live in peace! The samurai had a code of conduct, the Bushido, which dictated rules according to which they guided their lives, seeking to live and die with honor. Honor was more important than life and therefore, in certain situations, it was expected that the samurai knew how to die and was willing to do so, even if by his own hands, in a suicide ritual. The film begins when a samurai, left unemployed by a long peace, turns to an old man and asks to be allowed to die. In response, he hears a story that occurred some time before, and in which a samurai in the same situation made an identical request in the expectation of receiving money, and ended up having to commit suicide, and with a wooden weapon. The film then reveals an important fact: this first samurai is the father-in-law of the man who killed himself, and who wanted money to feed his sick wife and son. And in fact that warrior is not there in order to simply die, but in order to avenge the son-in-law wronged by human hypocrisy. The film is quite dense, and the fact that it is so different from Western cinema and, even more so, in black and white, can quite scare the current public. However, it is worth resisting this impulse to reject it and giving the film a chance. It's very well done, it has a pretty good story, which is nothing behind big Hollywood hits. The script takes advantage of the situation to expose the brutality of the rigor imposed on the samurai by means of a moral code so absurdly demanding that it ended up being inhumane. Contrary to what happens in some films, even western ones, this film does a good historical contextualization of the story it tells us, not being too difficult to understand what is at stake. I'm not the best person to talk about the director or the actors, I don't know them, but I can say that we have the participation of Tatsuya Nakadai, Yoshiro Aoki and Akira Ishihama. On a technical level, I think it's impossible to avoid noticing the quality of the sets and filming locations, as well as the sharpness and quality of the cinematography.
Thieves broke into Yamashiroya, a drug wholesaler, and stole 780 ryo. In the storehouse, there was a sticker with a picture of an umbrella, the signature of Yahei Kasayama, a great thief who once ransacked the entire Kanto region. Heizo Hasegawa (Kichiemon Nakamura), the director of the reform of the thieves, learns that the theft was the work of Yahei's son Yataro (Somegoro Ichikawa [now Koshiro Matsumoto]) and his gang, thanks to the help of a spy named Isaji (Koichi Miura). He learns that Yataro is in the process of marrying Oito (Tomoka Kurokawa), the daughter of Shigezo of Narumi, a great thief from Owari. Heizo learns the true identity of the thread and the evil plans of the second generation Narumi Shigezo (Fuse Hiroshi), and he meets Nagashima no Kugoro (Matsudaira Ken), a former thief who is trying to arrange a marriage deal to return the favor to the previous generation Kasayama and the previous generation Narumi. ) while hiding his identity...
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
A mysterious group called Humarize strongly believes in the Quirk Singularity Doomsday theory which states that when quirks get mixed further in with future generations, that power will bring forth the end of humanity. In order to save everyone, the Pro-Heroes around the world ask UA Academy heroes-in-training to assist them and form a world-class selected hero team. It’s up to the heroes to save the world and the future of heroes in what is the most dangerous crisis to take place yet in My Hero Academia.
Ono Yasuomi is a cram school teacher with poor communication skills. He hopes to get married but doesn't know what ordinary means and feels awkward on dates with women. He asks Kasumi, a student who knows lots of trivia about romance, to teach him the meaning of ordinary.
A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
A former US Federal Agent must abandon the witness protection program and come out of hiding when his London home is invaded in error due to a wrong address. When the event ends with multiple homicides, the news triggers those hunting him to send Europe's most dangerous assassin to kill him. Now on the run with his daughters life in jeopardy, a determined father must get her to safety before the people he's been hiding from tracks him down.
A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.
After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, The Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, The Butcher returns to Paris to find his daughter.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he'd seen it all, until a genius named Simon engages McClane, his new "partner" - and his beloved city - in a deadly game that demands their concentration.
