My Divorce Party 2024 - Movies (Jan 24th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Sand Castle 2024 - Movies (Jan 24th)
Grafted 2024 - Movies (Jan 24th)
Werewolves 2024 - Movies (Jan 24th)
This Is the Tom Green Documentary 2025 - Movies (Jan 24th)
Star Trek Section 31 2025 - Movies (Jan 24th)
Presence 2025 - Movies (Jan 23rd)
Kaathal - The Core 2024 - Movies (Jan 23rd)
Midas Man 2024 - Movies (Jan 23rd)
Flight Risk 2025 - Movies (Jan 23rd)
Juror #2 2024 - Movies (Jan 22nd)
Never Look Away 2024 - Movies (Jan 22nd)
River of Blood 2024 - Movies (Jan 22nd)
Somm Cup of Salvation 2024 - Movies (Jan 22nd)
Shoot Again The Resurgence of Pinball 2024 - Movies (Jan 22nd)
Minor Leaguer 2024 - Movies (Jan 22nd)
Into the Deep 2025 - Movies (Jan 22nd)
Zero Waste Life - (Jan 24th)
GRAND SUMO Highlights - (Jan 24th)
Extreme Makeover- Home Edition - (Jan 24th)
Cold Case Files- Murder in the Bayou - (Jan 24th)
Swamp People - (Jan 24th)
Swamp People- Serpent Invasion - (Jan 24th)
Homicide Squad New Orleans - (Jan 24th)
Fugitive Hunters Mexico - (Jan 24th)
Jesse Watters Primetime - (Jan 24th)
The Five - (Jan 24th)
The Ingraham Angle - (Jan 24th)
Gutfeld - (Jan 24th)
Outnumbered - (Jan 24th)
Special Report with Bret Baier - (Jan 24th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
Three daughters have graduated from the music school and have gone their separate ways. On the day of the outbreak of war, the three girls meet again for the first time since their graduation ceremony. This film was made at the end of the war to promote the military song “Song of the Annihilation of the United States and Great Britain” and to raise the will to fight.
Girls in my Hometown, released in 1991, is a melodrama dealing with individualism and sacrifice. A young girl has a friend who has just come back from abroad, bringing with her foreign fashions and foreign ideas. When the solider to whom the friend was engaged becomes blinded in an accident, she decides to put herself first, neglecting her duties to her fiancé and the community she lives in.
Hitler no longer believes in himself, and can barely see himself as an equal to even his sheep dog. But to seize the helm of the war he would have to create one of his famous fiery speeches to mobilize the masses. Goebbels therefore brings a Jewish acting teacher Grünbaum and his family from the camps in order to train the leader in rhetoric. Grünbaum is torn, but starts Hitler in his therapy ...
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.-Oxymoron
Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.
A holiday of sorts for Stockport army reserves, fitting high-jinks between drills over two weeks of summer training in South Wales.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...