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This is about the most nonsexual movie I have ever seen with the word sex in the title. This is worse than a watered down romance novel. The story was very boring and uninspired. I personally find all the actors/actresses unattractive and there is no chemistry. On top of this being a flat film, it contains absolutely no nudity. This would be fine for the majority of movies but with a name like Sex, Lies and Videotape, one would expect at least brief nudity. Anyways, complete waste of time.
If in doubt, see a therapist! Well that's what the ostensibly happy "Ann" (Andi MacDowell) does whilst married to aspiring lawyer "John" (Peter Gallagher). This woman stresses about just about everything, and this singularly futile behaviour is having quite an impact on her sex-life and therefore her marriage. "John" isn't the most loyal of men, so switches allegiance to her willing barmaid sister "Cynthia" (Laura San Giacomo) and then just to add a bit more complexity, "John" meets up with old friend "Graham" (James Spader) who brings a candour to the scenario that's actually quite funny in it's potent honesty. You get a clue as to the route it's now going to take from the title and at times it's remarkably poignant as it deals quite entertainingly, if on an almost entirely sex-free basis, with what people obsess about and how in some cases the obsessing about the obsession becomes a sort of raison d'être as the problems entrench and lives get well and truly stuck. The pithy dialogue has a reality to it that though occasionally a little contrived, does make you think when you stand in front of the mirror that maybe some of the attitudes and belligerences could apply to some degree in many of our lives as we tend to overthink. It's maybe Spader's best role - his character is understated and surprisingly effective as this admittedly rather ploddingly paced look at morals and mores builds up. MacDowell isn't the best, she sort of fluffs her way through the story but the other two principals and Rob Vawter's analyst keep it all quite watchable for an hour and ah half.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
An emotionally-beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life.
Thomas, the son of a prison warden, falls for Martin, one of the prison inmates. After Martin is released, they try to build a relationship and a life together but, no one will leave them alone.
The timeless tale of King Arthur and the legend of Camelot are retold in this passionate period drama. Arthur is reluctant to hand the crown to Lancelot, and Guinevere is torn between her loyalty to her husband and her growing love for his rival. But Lancelot must balance his loyalty to the throne with the rewards of true love.
In a German town, teacher Irene leads an inconspicuous, boring, lonely life. One day, a man rings at her door and slips in. It's an armed convict from the prison next door, escaped with a leg wound. He now makes her a prisoner in her own home. Almost without a word, as if she secretly enjoys the excitement or just mesmerized, she obeys Vassily, every single command, even sexual services, submissively or after a symbolic struggle. Somehow that seems to change, but can force initiate love?
It is set in a dreary village in the Schwabian-Frankish Forest where the seemingly reserved Lena lives with her tyrant of a husband, Johannes, in a loveless marriage. Johannes is the village's spiritual leader and Lena is his faithful, ever-ready-to-serve wife. Lena's daily life is characterized by grinding monotony, a life narrowly circumscribed by nursing, organ playing and the duties of the marriage bed. The mysterious murder of a village girl suddenly knocks this humdrum existence off its tracks. In the wake of these events Lena discovers the affection and tenderness for which she has always longed in Paul, the village mechanic. This encounter is the start of an emancipation that leads her not to reveal Paul's secret regarding the girl's murder, for fear of losing her newly won piece of happiness. In turn it means she has to remain silent, as she has always done in her many years of marriage. So it is that this love ultimately turns Lena herself into a fallen angel.
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.