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The charismatic Sir Lionel Frost considers himself to be the world's foremost investigator of myths and monsters. Trouble is, none of his small-minded, high-society peers seems to recognize this. Hoping to finally gain acceptance from these fellow adventurers, Sir Lionel travels to the Pacific Northwest to prove the existence of a legendary creature known as the missing link.
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
A Scientist-physicist created a living atom that here ran on will. Without control he brings many destructions, though follows kind intentions. But a scientist eventually compels him to work on a benefit to the people.
A little boy is thrown into a disturbing nightmare when he is forced to use the toilet.
Sketch Film #1 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make animations of lines and shapes found in the public space. The entire film was edited in camera and hand-processed afterwards.
