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Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
From 1989 to 1991 a string of unpredictable events happened that brought to light the rivalry between two men: Gorbachev, hindered by the economic results of his perestroika, and Yeltsin, embodying the hopes of the Russian people. Illustrated with interviews of top protagonists such as Mikhail Gobachev himself, the documentary recounts the critical last two years of the former USSR.
Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.
Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.
Documentary — featuring both interviews and live footage — about underground rock music in Russia, during the last years of the Perestroika.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Documentary telling the inside story of Communist hardliners' failed attempts to seize power from Soviet president Mikhail Gorbachev, which resulted in the rapid collapse of the Soviet Union.
Sean McAllister's bleak, extraordinarily intimate film offers an insight into the lives of 35 year old Kevin, who hasn't worked in 18 years, and his 19 year old girlfriend Robbie, who earns 70 pounds a week as a seamstress.
In 1988, 20-year-old Kirsi Marie Liimatainen travels from Finland to the GDR, to study Marxism-Leninism at the International Youth Academy. In summer of´89 the course ends and the students spread out over the world. Afew months later, the Berlin Wall falls. 24 years later Kirsi, sets out on a cinematic journey to Nicaragua, South Africa, Chile, Bolivia, Lebanon, Germany and Finland to meet up once more with her former fellow students. What remains of their dream of the liberation of the oppressed?