The Confused

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.

A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.

A young man finds himself pursued by a mysterious spiritual mask stalker who employs a haunting song to ensnare his prey. As tension mounts, he must confront the sinister forces threatening his existence in a battle of wits and willpower.

In a solitary existence, a man is unexpectedly gifted a plasmaball at his doorstep, unraveling a startling revelation. A gateway to an alternate realm situated on the opposite end of his world.

A small-town Sheriff discovers there is something wrong with the sleepy town of Golden Torch, and he quickly realizes he may not get out alive.

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Exploring helplessness, Pyre is an experimental short film which personifies death as a ghoul in a dress, drawing closer and closer until striking.

The terrifying story of a family that experienced the biggest demonic possession after moving into a house plagued by malicious spirits.