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The Repair Shop on the Road - (Feb 14th)
Robson Greens Weekend Escapes - (Feb 14th)
The Chase Australia - (Feb 14th)
The Chase - (Feb 14th)
Jesse Watters Primetime - (Feb 14th)
Outnumbered - (Feb 14th)
Special Report with Bret Baier - (Feb 14th)
The Five - (Feb 14th)
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The 11th Hour with Stephanie Ruhle - (Feb 14th)
Watch What Happens Live with Andy Cohen - (Feb 14th)
Australia on Fire- Climate Emergency - (Feb 14th)
Crime Nation - (Feb 14th)
Police 24/7 - (Feb 14th)
The One Show - (Feb 14th)
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Teen Mom- The Next Chapter - (Feb 14th)
Gangland Chronicles - (Oct 1st)
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What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.
Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.
A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.
In 1959, a government employee named Richard Oyler, living in the tiny desert town of Lone Pine, California, asked world-famous modern architect Richard Neutra to design his modest family home. To Oyler's surprise, Neutra agreed. Thus began an unlikely friendship that led to the design and construction of an iconic mid-century modern masterpiece.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
Not many people know that there is in the center of Hong Kong, a city of 50,000 inhabitants that escape authority, a city which holds no law and no order, the ‘walled city’. Never before has a television crew been allowed to enter this labyrinth. Christa Wesemann, an Austrian documentary filmmaker, has achieved this for the first time. The recordings from the ‘walled city’ are breathtaking pictures, as it has never seen the world. The history and daily flow in Walled City are ruled by the ‘triad’, a Chinese crime syndicate.
Tadao Ando (b.1941) is a world-renowned architect, and a recipient of the Pritzker Architecture Prize. His calm, minimalist architecture with elegant concrete designs reflects the Zen principle of simplicity. In the film he reveals the experience a building should evoke, as he discusses a number of iconic designs, such as The Row House and The Church of Light.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
A film in three movements. In the first one, we find a historical synthesis of Brazilian architecture, from the slaves' dwellings to the Ministry of Education Building. In the second segment, architects such as Burle Marx, Lina Bo Bardi, Grigori Warchavchik and Joaquim Cardoso talk about architecture's social function. In the third movement, inhabitants of some Brazilian cities discuss the space they live in.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.