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**_Ugly, tedious flick about a painter going over the edge is also an amusing period piece_** An artist in Union Square, Manhattan, struggles with his homeless father, finishing a key painting, an annoying rock band in the building, and his relationship with his two female roommates. Insanity and worse can’t be too far away. “The Driller Killer” was shot from June, 1977, to March, 1978 and released in 1979. I point this out because it reeks of late 70’s Manhattan, and not the pretty side. It’s a gritty art house Indie made by the protagonist, Abel Ferrara, who’s listed as actor Jimmy Laine in the credits. Despite the exploitive title and the fact that it undeservedly ended up on the UK’s “video nasties” list, it’s actually a grungy psychological drama about life in the Big City in late 70’s America mixed with lowkey amusement concerning the country’s growing fringe decadence and corresponding lunacy. The “driller killer” element doesn’t manifest until the second half and isn’t exploited as in conventional slashers. Speaking of which, this aspect inspired the usage of driller slayers in the “Slumber Party Massacre” trilogy (1982, 1987, 1990). The film only cost $20,000 (equal to about $98,000 today), but Ferrara was able to acquire quality no-name actors for his weekend project. In other words, the key peripheral actors are convincing in their roles despite what critics might say. I’m talking about the ones who play Carol, Pamela, Dalton Briggs, the landlord, Tony Coca-Cola and his girlfriends. A couple years before Ferrara made this, Marvel’s Man-Thing featured Steve Gerber’s “Song-Cry of the Living Dead Man” in issue #12. I bring this up because “The Driller Killer” covers some of the same core issues, namely society driving an individual insane with pressures on every side, like bills, relationships, obnoxious neighbors, and making enough money or you’ll be out on the street. I’m sure Ferrara was influenced by it. On July 21, 1945, General George Patton predicted “I fear that perhaps in fifty years America will… become a land of corruption and degenerate morals." This flick effectively shows this development and I’m sure the Soviets and China (et al.) used it to illustrate the downside of America & the West’s curious catering to Lefty madness. It runs 1 hour, 36 minutes, and was shot in Union Square, Manhattan, which is just northeast of Greenwich Village and northwest of East Village. The rock club was located just northeast of Union Square. GRADE: B-/C+
A rat causes a chemical leak at a Papua New Guinea research facility, leading a group of eco-terrorists to demand the closure of all facilities. When a team of Interpol commandos are enlisted to eliminate the terrorists, they find themselves embroiled in a zombie outbreak.
A seventeen year old girl forms a co-dependent relationship with an artificial intelligence on her phone and goes on a murderous rampage.
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.
Four interlinking stories about a benign native american legend that has been distorted throughout the years into something much darker.
After a traumatic experience, Chris comes home to confront his past. but soon finds himself prey to a Demon who taunts him through sleep paralysis.
Harumi Hagiwara lands in the hospital after being involved in an accident. She hits it off with her nurse, Reiko Nishimura, and the two decide to move in together after she's discharged. However, Harumi begins to witness a series of mysterious events soon after noticing Reiko's strange behavior. Additionally, she fears for her own safety when Reiko starts referring to herself as 'Mari' as if she's become an entirely different person. Before long, the situation develops into a case of murder.
A twisted man holds a TV newswoman and a girl hostage in the bowels of Grand Central Station.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
After she’s permanently blinded in a tragic car accident, Rebecca receives some bizarre news: her long-lost mother has recently passed away, leaving her their family’s ancestral castle in rural Albania. Traveling to the estate with a group of friends, Rebecca hopes it will be an opportunity for her to reconnect with a past she never knew and a mother who seemingly left her behind. When mysterious events begin to occur and her friends begin to die, Rebecca must unravel the secrets of her family’s history before she too falls prey to the Castle Freak.