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Faith is a gift I have yet to receive. Angels and Demons is directed by Ron Howard and adapted to screenplay by David Koepp and Akiva Goldsman from the Dan Brown novel of the same name. It stars Tom Hanks, Ewan McGregor, Ayelet Zurer, Stellan Skarsgard, Pierfrancesco Favino, Nikolaj Lie Kaas and Armin Mueller- Stahl. Music is scored by Hans Zimmer and cinematography by Salvatore Totino. Symbologist Robert Langdon (Hanks) is summoned to Rome and asked by the Vatican to help when four cardinals are kidnapped. Upon examining a tape recording that announces that the cardinals will be killed one at a time hourly, Langdon places the crime at the door of the ancient Illuminati. It's a race against time to not only try and save the lives of the cardinals, but also to avert the detonation of an anti-matter bomb which will destroy Vatican City. In spite of The Da Vinci Code making gargantuan amounts of cash, there were many who actively hated the movie. Yet this follow up from Howard and his makers still enticed just under $500 million's worth of worldwide paying punters into see it. Ultimately it's a very different movie to Da Vinci, where that film was sombre and talky, and had a great religious hook that caused tremors in Christianity, Angels and Demons is a pacey race against time serial killer thriller. Albeit one that is still religion based and additionally topped up with some sci-fi gubbins. The ticking time bomb format works well as a cliff hanger and the narrative allows Langdon and his latest lady investigator, CERN scientist Vittoria Vettra (Zurer), scope for no-nonsense detective work. There's a good solid mystery story at the heart, one which doesn't veer to being over complicated, and the production value is of a very high standard. Casting is first class, with McGregor and Skarsgard complimenting the reliable, and thankfully new haircut sporting, Hanks. It's a little draggy in the mid-section, as history comes crashing into the mix and the makers feel the need to be cerebral, and the finale is bizarre if wholly appropriate, but herein lies the problem If you can judge it on its own terms, not as a Dan Brown novel recreation and a link to bad memories of Da Vinci Code (not me, I liked it well enough actually)? Then it's a film of simple pleasures. If not then it kind of goes without saying that you probably already dislike the movie! 7.5/10
After being kidnapped by four masked men, a teacher and her students rebel by plotting against the criminals.
After being unemployed for several years, a man devises a unique plan to secure a new job: eliminate his competition.
A dabbler-in-crime and his assistant hire an ex-police reporter to recover some stolen papers.
A retired mobster goes on a revenge spree after being left for dead with 22 bullets in his body by his former childhood friend.
A former US Operative, who lived in Russia in his earlier years and had been married there with a child, comes out of retirement to face down a former enemy, now running as a candidate for President in modern Russia. Working with a Russian policewoman, they work to uncover a plot to use biological weapons against certain factions of the Russian people to commit genocide. The virus would also be released in other populations, but would be treated making the candidate a hero. A side plot has the agent being reunited with his long lost daughter.
A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.
Naoto was ignored by other people. During his school days, Chihiro was the first person who called his name. Naoto dreams of seeing her again and tries to find her. Finally, after 11 years, he locates her, but she is a totally different person now. Naoto becomes obsessed with her. Naoto sneaks into her house and stays under her bed.
A young man cares for his younger sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface.
Deputy Sheriff Lou Ford is a pillar of the community in his small west Texas town, patient and apparently thoughtful. Some people think he is a little slow and maybe boring, but that is the worst they say about him. But then nobody knows about what Lou calls his "sickness": He is a brilliant, but disturbed sociopathic sadist.
Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.
Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.