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Scene of the Crime - (Feb 1st)
20/20 - (Feb 1st)
Miraculous- Tales of Ladybug and Cat Noir - (Feb 1st)
NFL Icons - (Feb 1st)
Ainsleys Fantastic Flavours - (Feb 1st)
When the Stars Gossip - (Feb 1st)
James Martins Saturday Morning - (Feb 1st)
Perfect Match - (Feb 1st)
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The Late Late Show - (Feb 1st)
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All American - (Feb 1st)
Teen Mom- The Next Chapter - (Feb 1st)
The Uncanny Counter - (Feb 1st)
Very Important People - (Feb 1st)
Casualty - (Feb 1st)
The 11th Hour with Stephanie Ruhle - (Feb 1st)
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This is one of many movies I watched and recorded many, many years ago, probably off the fairly new HBO channel. I liked it enough at the time to not only keep the vhs tape, but also, when we transitioned to dvd, I used my DVD player/recorder to transfer it to a disk. Of course the viewing quality is subpar, but when I saw it is on a streaming service I don’t subscribe to, I decided to watch my flawed copy. I didn’t quite like it as much as I did previously, but perhaps the intervening 30 years have something to do with that. It is still a pleasant watch. Corey Haim does a fine job portraying the brainy nerd who is advanced scholastically and attends with students a couple years old than he is. He is basically a Junior high (or middle school) student in high school. Lucas spends much of the movie pretending. He assumes he has a chance with an attractive older girl who obviously just wants to be friends, he tells fibs about his living situation, and he unrealistically tries out for the football team. I thought the movie could have done more with Winona Rider’s character. She has a few lines but she is interested in Lucas herself, and I suspect more of her was on the cutting room floor. The scenes of the actual football plays on the field were totally false. I know that science fiction, for example, doesn’t always use appropriate science to explain stuff that happens, but just a little consulting with someone who knows the game at all could have made the plays accurate without changing the result. Come on, refs! There is a small twist at the end that is a nice touch, an appropriate ending for a movie aimed largely at teens.
"Lucas" is a low key film throughout which tackles the difficult subject of first love and all the pain and heartbreak it can sometimes bring. It doesn't treat such delicate matters of the heart in a superficial manner and there is ample opportunity to actually get to know the small ensemble of characters at the heart of this film and that provides us with a genuine reason to become interested in them and in what happens to each one of them during the unfolding events of the story. The overall ambitions of this film are extremely modest and that is its strength, so when young Lucas achieves a measure of respect from his once dismissive peers this triumph has a lasting effect in what is essentially a memorable and well made film.
While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
No one seemed to care about Jamie Marks until after his death. Hoping to find the love and friendship he never had in life, Jamie’s ghost visits former classmate Adam McCormick, drawing him into the bleak world between the living and the dead.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.
In the Fall of 1984 a brilliant but rebellious teenager is accepted to a prestigious private school where he meets a depressed classmate and helps her stand up to her neglectful father.
A music-mad 16-year-old outcast at a rugby-mad boarding school forms an unlikely friendship with his dashing new roommate.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.