Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
- (Jan 1st)
The Chase Australia - (Mar 28th)
The 11th Hour with Stephanie Ruhle - (Mar 28th)
Police 24/7 - (Mar 28th)
Cóyotl, Hero and Beast - (Mar 28th)
Tribunal Justice - (Mar 28th)
The Last American Vagabond - (Mar 28th)
First Dates Ireland - (Mar 28th)
Watch What Happens Live with Andy Cohen - (Mar 28th)
Crime Nation - (Mar 28th)
Southern Charm - (Mar 28th)
After the First 48 - (Mar 28th)
Accused- Guilty or Innocent - (Mar 28th)
The First 48 - (Mar 28th)
The One Show - (Mar 28th)
Beyond the Gates - (Mar 28th)
When Life Gives You Tangerines - (Mar 28th)
Farmer Wants a Wife - (Mar 28th)
Teen Mom- The Next Chapter - (Mar 28th)
A Decent Man - (Mar 28th)
Know Where to Hide - Wie niet weg is… - (Mar 28th)
There's a lot to unpack about 'Gran Torino', probably way more than I could offer an opinion on. I fully acknowledge the talk about this film's potential impact on the world, namely for Hmong Americans (see: Bee Vang's op-ed), and I'm not saying it's perfect one bit. I admittedly do have a difficult time separating film and real life, to me films are just fictional things but I get they can/do have real world implications. Strictly as a film, it is entertaining. Clint Eastwood is remarkably good at being a super racist and super grumpy old man, who literally hates every single person he encounters across the opening portion of the film. His character's lines in this are nuts and his delivery with them is incredible - the look of utter disgust on Walt Kowalski's face when someone pisses him off in a new way is just amusing to watch. If not for his on point delivery, it wouldn't have worked. Eastwood is the only actor in this worth talking about on a grander level, though I could've done without his ropey singing at the end, but I did enjoy the showings of the earlier mentioned Vang, Ahney Her and John Carroll Lynch - not that the latter does much, I just like the guy as an actor... all stems from 'The Walking Dead', he's in literally one episode back in 2015 and yet I always remember his character. I'm not sold on the ending, Walt isn't exactly redeemed and it does reek of white saviour let's be real, but it didn't affect my enjoyment in film terms to be honest.
Clint Eastwood is a good director. I've seen ten of his films, one of them being “Play Misty for Me.” A film that I think is incredible. But like any director, Clint’s films can vary in quality. In the case of “Gran Torino,” it's a good film, but probably not one I'm going to rewatch very much. Clint Eastwood and Bee Vang put in great performances. Walt, played by Clint Eastwood, is a tough character to watch. His prejudices are the main reason for that. This is my view of the character, of course, so how you feel about him depends on your views. I think the ending of the film works. It's a decent end to Walt's character journey.
It's curious that the main English language awards largely ignored this, yet it won both a David and a César in Europe and is definately one of Clint Eastwood's more characterful efforts. He is the curmudgeonly "Walt" who has recently lost his wife, has an arms-length relationship with his son and looks disapprovingly as his neighbourhood ceases to be the home of "Americans"! His prize possession is his Gran Tornino car and he doesn't take to kindly to Bee Vang's "Thao" (or "Toad") trying to pinch it. Quickly, though, he sees that this young man and his sister "Sue" (Ahney Her) are being bullied by their thuggish extended family - a gang of obnoxious would-be gangsters who drive the streets picking fights and taunting people. He decides to intervene and the rest of the story sees a bond develop between him and his new "family" based on a degree of mutual understanding, trust, and "Toad" becoming his slave for a fortnight by way of penance! We are given some clues along the way as to the grand designs of "Walt" as he sets up a denouement, after a brutal assault on "Sue", that will satisfy not just himself, but keep his neighbours safe too. It's not the most naturally written dialogue, indeed at times it's quite forced but the underlying premiss of bigotry and the attitudes of intolerance and bullying are well addressed. The characterisation of the distant and prejudiced "Walt" is delivered engagingly, and with some dark humour, by a star/director who has a point to make. There's also quite a gently potent effort from Christopher Carley as the local priest. He is trying to offer the perfunctory words of hope and comfort to this veteran and he perseveres despite the dog's abuse he receives from a man who no longer feels it necessary to commit to the niceties of society. Clearly, "Walt" cares little for what is left of his life nor for any of his sins to be forgiven. It's about grief, relevance, community and I think it works. Give it a go.
In the middle of the Los Angeles ghetto, drugs, robberies and shootings dominate everyday life. During these times, Furious tries to raise his son Tre to be a decent person. Tre's friends, on the other hand, have little regard for the law and drag the entire neighborhood into a street war...
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
An epic tale spanning forty years in the life of Celie, an African-American woman living in the South who survives incredible abuse and bigotry. After Celie's abusive father marries her off to the equally debasing 'Mister' Albert Johnson, things go from bad to worse, leaving Celie to find companionship anywhere she can. She perseveres, holding on to her dream of one day being reunited with her sister in Africa.
In an apocalyptic future world, a young upper class couple is visiting an exhibition of surrealistic paintings, presented by a group of young anarchists in their loft flat where they trap and torture their high society guests.
Five different criminals face imminent death after botching a job quite badly.