Múdra princezná

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Singer Ann wants back her money that the manager of a big-band has embezzled.

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

With the Wizard and the entirety of Oz framing her as wicked, Elphaba’s righteous crusade comes into conflict with Glinda’s struggle for power. As a mysterious cyclone brings in an unwitting young outsider, the former friends will soon discover how much their actions have changed each other, and all of Oz, for good. The second part of a two-part feature film adaptation of the Broadway musical phenomenon.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.