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Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
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Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Someday at a Place in the Sun - (Feb 19th)
Coulda Been Love - (Feb 19th)
Two Ways With Erica Mena - (Feb 19th)
The Chase Australia - (Feb 19th)
Baddies Midwest - (Feb 19th)
Trucking Heavy - (Feb 19th)
Married at First Sight - (Feb 19th)
Australian Survivor - (Feb 19th)
Deal or No Deal Island After Show with Boston Rob - (Feb 19th)
The 11th Hour with Stephanie Ruhle - (Feb 19th)
Life Below Zero - (Feb 19th)
The Chase - (Feb 19th)
Deal or No Deal Island - (Feb 19th)
Tribunal Justice - (Feb 19th)
Rocky Mountain Wreckers - (Feb 19th)
Highway Thru Hell - (Feb 19th)
St. Denis Medical - (Feb 19th)
Road Rage - (Feb 19th)
Moonshiners- Master Distiller Tournament of Champions - (Feb 19th)
Renovation Aloha - (Feb 19th)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
An investigation into accusations of teenagers being sexually abused within the film industry.
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
Filmmaker William Blackwell Kinney and friends embark on an unforgettable adventure at the Emerson Los Angeles program.
Debra Hill's documentary tells the story of her multifaceted life and of inspiring filmmakers around the world, and her legacy as a creative producer, mentor, film pioneer and activist is an enduring one.
French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.