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Hamish gives off this sad reluctant yearning vibe that’s so palpable, real interesting subtext, however it’s a bit on the nose! Hamish’s clarity and communicative nature creates a power dynamic that feels off kilter and the writer might have foregone some development on specifying each characters’ journey, centring the story on a goal, and defining the focal point of the central dramatic question and the thematic narrative. However, reading into Hamish’s hesitance and London’s naïveté allows for some more complex readings, helpfully aided by some intuitive and clever direction. Discussing points of constructive growth around this student film could be very catalytic to the filmmakers’ understandings of storytelling; these techniques pique my curiousity. The choices, irrespective of intentionality, reveal the story’s most tender beats, and play with emotional energy in increasingly sincere growth. These performances find touching moments of connection as well as the most accessible parts of the dynamic. There’s a pain, longing, desperation, regret, anxiety, that’s easily accessible for some viewings and a bit less palatable for others. Well-educated proficient technical work allowed for payoffs on riskier choices in the scene’s energy.
Jeanne, a receptionist at a travel agency, is looking for the love of her life. She thinks she has finally found it with Olivier. However, Olivier reveals he has AIDS and disappears from her life after her profession of love and confession of infidelity.
The second volume of an international collection of five short films focusing on men, including: Enter (2018); Free Fall [Caída libre] (2018); Haze [Ocaso] (2014); Mr. Fox [Sr. Raposo] (2018); Twice [Due volte] (2018).
Chen Hao-Zhi lives alone with his Grandmother who has Alzheimers and has suffered from a stroke. In order to pay the bills and his grandmother's medical expenses, he goes to work in a gay massage parlor. At first, it was just work...but Hao-Zhi soon finds that he is attracted to some of his clientele, and gets pulled into a world where he loses control of things he thought he could handle.
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
Despite her sheltered upbringing, Jenny is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget.
Five best friends in their late 20's discover new truths about themselves and the friendships they thought would last forever.
The third volume in a collection of the hottest gay shorts from around the world takes us from a teen’s dangerous affair with an older man, to a resurfaced love at a circuit party, an awkward first gay experience, a father and son’s tumultuous relationship, and the effects jealousy has on a relationship. The 5 shorts include: 1992 (2016); Just Me (2018); Silverlake Afternoon (2018); Tellin' Dad (2017), The Jealous Sea (2018).