Cérémonie d'ouverture des Jeux Olympiques de Paris 2024

Hitler, Nazi propaganda and 1936 Berlin Olympics are put under the microscope to uncover hidden truths and the historical legacy of those games.

Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

The Closing Ceremony of the XXXI st Olympiad.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

The world couldn't keep its eyes off two athletes at the 1994 Winter Games in Lillehammer - Nancy Kerrigan, the elegant brunette from the Northeast, and Tonya Harding, the feisty blonde engulfed in scandal. Just weeks before the Olympics on Jan. 6, 1994 at the U.S. Figure Skating Championships, Kerrigan was stunningly clubbed on the right knee by an unknown assailant and left wailing, "Why, why, why?" As the bizarre "why" mystery unraveled, it was revealed that Harding's ex-husband, Jeff Gillooly, had plotted the attack with his misfit friends to literally eliminate Kerrigan from the competition. Now two decades later, THE PRICE OF GOLD takes a fresh look through Harding's turbulent career and life at the spectacle that elevated the popularity of professional figure skating and has Harding still facing questions over what she knew and when she knew it.

After three unsuccessful attempts at the Olympics, the 30-year-old Aljona Savchenko finally wants to win a gold medal with a new partner in four years. A rather bold plan, especially since the young Frenchman Bruno Massot, chosen by the German-Ukrainian ice princess, has no international successes in pairs figure skating. He moves to Germany and has no idea of the manic perfectionist he's getting involved with. Aljona's training is tough. Constant disputes about the right course threaten to bring the project to failure. Two completely different characters collide. However, the team of trainers manages to calm things down. February 2018: The competition at the Winter Olympics in South Korea begins with the short program. Inexplicably, Bruno blunders and the pair sit fourth by a wide gap. Gold is hardly possible anymore. It only remains for them to show the world their unique free skating. Their intoxicating, perfect run will go down in history. It will be the free skating of their life!

On February 4, 2022, the opening ceremony of the 24th Winter Olympic Games was held at the Beijing National Stadium.

In the run-up, everything actually spoke against the Chinese capital as the host of the XXIV Olympic Winter Games: Beijing is neither a winter sports region nor are human rights respected in China. The IOC obviously didn't care. Topics such as sustainability, freedom of expression and climate protection were also pushed aside. It's about power and profit instead of the Olympic idea and its values. But more and more athletes are speaking up and calling for a reform of the Olympic Games. A pioneer in this matter is ARD Olympic expert Felix Neureuther, a former alpine skier, who sucked up the Olympic spirit with his mother's milk, because his parents are alpine ski legend Rosi Mittermaier, double gold medalist at the 1976 Winter Games in Innsbruck, and father Christian, a ski racer, who took part three times at the Olympics. Based on interviews with athletes, experts, IOC officials and persecuted Uyghurs, Felix gets a glimpse behind the scenes of the Olympic system.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.