TARTA

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.

Frank Scheffer's (collage like) documentary on the American composer and rock guitarist Frank Zappa, as broadcast by VPRO in the Netherlands April 22,2007. Most of what’s on here is seen before, particularly in Roelof Kier’s 1971 documentary and/or Scheffer’s own documentary “A present day composer refuses to die”. But there is some new stuff too, particularly interviews with Denny Walley, Haskell Wekler, Elliot Ingber and Bruce Fowler.

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.