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Jake Paul vs. Mike Tyson 2024 - Movies (Nov 16th)
Christmas with the Singhs 2024 - Movies (Nov 16th)
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GRAND SUMO Highlights - (Nov 16th)
Legends of Comedy with Lenny Henry - (Nov 16th)
Fisk - (Nov 16th)
Alan Carrs Picture Slam - (Nov 16th)
The Katie Phang Show - (Nov 16th)
The Kitchen - (Nov 16th)
Saturday Kitchen Live - (Nov 16th)
MotoGP Unlimited - (Nov 16th)
QI - (Nov 16th)
James Martins Saturday Morning - (Nov 16th)
John and Lisas Weekend Kitchen - (Nov 16th)
The Kelly Clarkson Show - (Nov 16th)
The Chase - (Nov 16th)
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20 Minutes - (Nov 16th)
Whos Talking to Chris Wallace - (Nov 16th)
Cold Case Files - (Nov 16th)
Jesse Watters Primetime - (Nov 16th)
Special Report with Bret Baier - (Nov 16th)
The Five - (Nov 16th)
Megan and I are starting to watch the same TV shows - and I'm liking them. I'm losing it! Mr. Mom is directed by Stan Dragoti and written by John Hughes. It stars Michael Keaton, Teri Garr and Martin Mull. Music is by Lee Holdridge and cinematography by Victor J. Kemper. Plot sees Keaton as Jack Butler, who after being laid off from work, is forced to become a house husband after his wife Caroline (Garr) lands a good job with Schooner Tuna - something he's really not cut out to do. Ah, well, look, it's obviously very eighties, and thankfully society has moved on in leaps and bounds since this film was released. But good honest comedy is just that, honest, and for those looking for a good chuckle whilst admiring the talent of a pre-Batman Keaton, Mr. Mom is a bad mood lifter. Condensed into the 90 minute running time are enough gags and fun sequences to fill out a 12 episode sit-com, with a pre-teen-angst trail blazing John Hughes scripting it full of quotable lines. Lines which Keaton delivers with the comic timing not befitting someone just starting out in film. The fun is mined from Jack being hopeless at basic household chores whilst badly tending the three young children at the same time. Enter scenes involving shopping, dropping the kids off at school, laundry, cooking and ironing. As his masculinity starts to wane, Jack starts too slob out and gets his kicks by watching day-time soap operas and playing cards with the neighbourhood women. This coincides with his wife Caroline (Garr adorable) advancing well at work, but paying a price for it by being away from the family home far too much. There's also the looming presence of Caroline's smarmy boss (Martin Mull delightfully sleazy) and the good time girl (Ann Jillian sexing it up) who has her eye on Jack for fun and frolics. Both of these are stereotypes, but they existed then as much as they exist now, with that, it's easy to cut Mr. Mom some slack. Supporting slots fall to Christopher Lloyd (who would re-team with Keaton for the very funny "The Dream Team" in 1989), Jeffrey Tambor ("City Slickers"), Graham Jarvis (TV "Starsky & Hutch/Cagney & Lacey") and Miriam Flynn ("National Lampoon's Vacation"). The child actors put in pleasing turns, where they score funny points both visually and orally, and director Dragoti ("The Man With One Red Shoe") directs in an unfussy natural way. Ultimately it's Keaton and Hughes' script that lifts it to better comedy heights, the latter of which also plays on some basic fears that arise in the real world. Yeah, it's not just about Jack's bumbling around the home, that John Hughes was a sharp fella you know. 7/10
In 1978, a Kiss concert was an epoch-making event. For the three teen fans in Detroit Rock City getting tickets to the sold-out show becomes the focal point of their existence. They'll do anything for tickets - compete in a strip club's amateur-night contest, take on religious protesters, even rob a convenience store!
When the trail goes cold on a murder investigation of a policeman, an undercover narcotics officer is lured back to the force to help solve the case.
Marlene is a 2000 German biopic film directed by Joseph Vilsmaier and starring Katja Flint, Hans Werner Meyer and Herbert Knaup. It follows the life of the German actress Marlene Dietrich and her success in Hollywood.
40-year Maria is living in a monotonous and deadlocked marriage with her husband. In addition, she has to take care of her ill despotic father. One day, she falls in love with her sensitive neighbour Dieter. But her attempt to leave her gloomy everyday life behind leads straight into tragedy.
Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.