Happy Birthday, Türke!

A black president. Gays in the military. Women who like jerks. Carlos Mencia has something to say about it all in his new stand-up special, Performance Enhanced, held in front of a packed house at a Hard Rock Hotel theatre in Florida. Watch as he talks about his trip to Iraq, his real feelings on the N-word, and just about everything else that pops into his head. With his trademark frenzied performance style, you have our word that this is 100% Carlos--just slightly enhanced for your entertainment.

Facing eviction, the residents of a bohemian quarter of Portland, Oregon organize to collectively purchase a block of houses, only to get a crash course in bureaucracy.

This film was shot during Easter 1985. It shows the preparation and staging of the Passion in the village of Norogachic, Mexico. The initiation rites of two Pascoleros, filmed for the first time, form the center of this document.

This film is a confrontation between the texts Antonin Artaud wrote about the Tarahumaras and the films Raymonde Carasco made with the Tarahumaras (from 1977 to 1994) on the track of Antonin Artaud, in Norogachic, the only place explicitly mentioned by Antonin Artaud.

The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, between the daily grind and summer vacations, the film turns unexpectedly into a portrait of what happens when city dwellers encounter a country spider.

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.

Bowls Balls Souls Holes investigates cause-and-effect phenomena less easily traceable, such as quantum entanglement, magnetic fields, global warming, and the production of luck. Creating physical experience that transcends the autonomous object and cinematic medium, filmmaker Mika Rottenberg guides us through elaborately constructed physical and metaphysical environments. All activities converge in a Harlem bingo hall where a sequence of numbers opens mechanic portals into an alternate reality. Here, the relationship of cause and effect obeys bizarre laws and characters linked by invisible forces engage in a parapsychological chain of events. These actions move planets, influence global temperature, and shift architecture.

Eight friends throw a goodbye party to welcome the end of the world.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

The ENT doctor dr. Arnold Fischer, called Arnie, always tries to please everyone. His friend and colleague Gregor is quite different: Purposeful and enterprising, he thinks especially of his own progress. Together, they want to expand the practice to a state-of-the-art tinnitus center. For this they need the neighboring apartment, but lives in the Mathilda, in which the shy Arnie is secretly in love. He does not have the heart to show Mathilda out of the apartment. And so Gregor tries with not always fine methods to get rid of the unpleasant tenant - which ends in a complete disaster ...