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Sunbeam and Bashful Boy. Deception is directed by Marcel Langenegger and written by Mark Bomback. It stars Ewen McGregor, Hugh Jackman and Michelle Williams. Music is by Ramin Djawadi and cinematography by Dante Spinotti. Jonathan McQuarry (McGregor) is a timid New York accountant who whilst working late one night meets Wyatt Bose (Jackman). Bose is the complete opposite to McQuarry, he's highly sexed, confident and supremely cool. So when a mix up with the pair's mobile phones introduces McQuarry to an exclusive sex group, he's spun into a world completely alien to him. If you have watched a lot of film noir, both classic era and neo, Deception will come off as irritatingly stale. What we have here is very much a case of the title revealing far too much! You would hope that with the makers going for broke with such a title then they would have the nous to fill out the story with surprises, take us and the principal characters down some twisty streets, not so, sadly. Within ten minutes you catch on to what is happening, the writing so poor as to not cleverly challenge the narrative drive. It could maybe be argued that McQuarry's journey, and how the character evolves, is something of a veer from the noir norm? But it has no dramatic worth and renders the finale as dull (the alternate ending is even worse). It's not a total wash out as such, the cast are engaging in their roles, good actors straining to make a weak screenplay work, while cameos from Natasha Henstridge, Charlotte Rampling and Maggie Q impact to come off as better than novelty value. And then there's Spinotti's (Manhunter, L.A. Confidential, Heat) cinematography, the best character in the play. His nighttime city scapes are electric, his colour lenses beautiful (golds and blues are poetic), his work deserves a better film. But that's about it, leaving us with a shallow noir cover version that's in search of its own identity. For those not familiar with the noir form, then this is just about average enough for a look see. For noir fans, though, it's neither erotic or thrilling and as unadventurous as it gets. 5/10
Seen this one twice now (last time was probably when it was released on DVD) but decided to give it another shot as I don't recall being all that enamored with it. This time, I did like it a bit more but still not a great thriller, but made watchable with Hugh Jackman in a villain role. Ewan McGregor was alright as was Michelle Williams, though neither were great. Still, worth a rental. **3.25/5**
Less than 24 hours into his parole, charismatic thief Danny Ocean is already rolling out his next plan: In one night, Danny's hand-picked crew of specialists will attempt to steal more than $150 million from three Las Vegas casinos. But to score the cash, Danny risks his chances of reconciling with ex-wife, Tess.
Danny Ocean reunites with his old flame and the rest of his merry band of thieves in carrying out three huge heists in Rome, Paris and Amsterdam – but a Europol agent is hot on their heels.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
A young couple on a weekend getaway inadvertently intrude on a criminal couple's remote hideout, triggering a violent battle for freedom. Escape attempts, shifts of power, relationship issues and a looming secret fuel this confrontational encounter.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
After Akira Ninomiya miraculously survives a brutal attack by an unknown assailant wearing a "monster mask," he becomes fixated on finding the attacker and getting revenge.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.