At 41 years old, the Quebecois conductor Yannick Nézet-Séguin has established himself as one of the most gifted maestros of his generation, with numerous prestigious posts with some of the world’s greatest orchestras already under his belt, including the Philadelphia Orchestra and the Rotterdam Philharmonic Orchestra (music director), London Philharmonic Orchestra (principal guest conductor), and the Orchestre métropolitain de Montréal. One week before Nézet-Séguin's official nomination as music director of the Rotterdam Philharmonic Orchestra in 2008, filmmaker Christiaan van Schermbeek met the maestro for the first time. The once-in-a-lifetime event inspired Schermbeek to begin this documentary project, giving us a fascinating glimpse into the life of a truly extraordinary individual.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
The film sketches the creative life of the protagonist Kapila. The film’s narrative is structured as one day in the life of a Koodiyattam performer.
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
A musical journey in the footsteps of conductor Michel Brun, an atypical character, an atheist, who nevertheless plays sacred music, and who devotes his life to Johann Sebastian Bach. With the musicians of the Ensemble Baroque de Toulouse.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling” - thus said Mozart about death. Mozart died in 1791 and was buried in a mass grave, as standard at the time in Vienna for a person of his social and financial situation. In 2000, 452 of Riga’s deceased — people without relatives, the homeless and the unidentified — were buried at the Jaunciems cemetery. But this film is not about death: it's about Mozart, The Magic Flute, Riga, and love. A short commissioned for the Latvian exhibition at Venice Biennale.