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In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
A feature-length documentary film adaptation of the 1994 non-fiction book of the same name, chronicling the history of Mondo cinema and the "death film".
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
The film Journeys alongside the filmmakers behind Disneynature’s “Polar Bear” as they face profound challenges 300 miles from the North Pole. The team, who created a revolutionary arctic camp on site, navigated virtually impassible snow drifts and tenuous sea ice, garnering unprecedented footage revealing adaptive behaviors that surprised even this veteran team of filmmakers.
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.
Nora, an actor, and her sister Agnes, are grieving the loss of their mother when their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
This documentary is featured on Arrow Video's 2011 DVD & Blu-ray releases for The Beyond (1981).
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.