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LOST (Guy Green, 1956) (aka “Tears For Simon”) David Knight, Julia Arnall, David Farrar, Anthony Oliver, Eleanor Summerfield, Thora Hird, Marjorie Rhodes, Meredith Edwards, Shirley Anne Field, Freda Bamford, Robert Brown, Fanny Carby, Cyril Chamberlain, Peggy Ann Clifford, Guy Deghy, Percy Herbert, Joan Hickson, Glyn Houston, Jack Lambert, Arthur Lovegrove, William Lucas, Charlotte Mitchell, Hugh Morton, Dandy Nichols, Joan Sims, Ewen Solon, Marianne Stone, Mona Washbourne, John Welsh, Barbara Windsor, George Woodbridge. All things considered, Lost is a highly watchable film, most particularly for those of us who enjoy British character actors because it’s full of them. This tale of an abducted child follows familiar, well-trodden plot lines, but what really brings it to life is its quirky characterisations and interesting and colourful location shooting. The leads (David Knight and Julia Arnall) are somewhat lacklustre but this is more than compensated for by the effectiveness of the supporting players, and Janet Green’s script which manages to inject some humour into the otherwise dramatic proceedings. The police, in the shape of David Farrar, Anthony Oliver and Eleanor Summerfield, are nicely observed and believable characters. There are pre-Carry On turns from Barbara Windsor and Joan Sims – it’s only surprising there’s no Sidney James, as ubiquitous in 1950s films as he was. But if anyone can be said to steal the show it’s Thora Hird as a self-righteous landlady – she’s only on screen for two minutes but she certainly makes the most of it.
I kind of wished that this had been in black and white - it would certainly have helped inject a bit more suspense into this quite quirky tale of the investigation into the kidnap of a young child from his pram outside a chemist's shop. The parents - David Knight and Julia Arnall give reasonable performances as the despairing parents and David Farrar is effective, if not exactly exuberant, as "Insp. Craig" leading the team on the case. It's got a few underlying storylines aside from the obvious ransom theory and we do actually get some sense of just what these (or any) parents might do to recover their child. The ending is actually a little sad adding an extra layer of authenticity to it and we even get a very early glimpse of Shirley Anne Field, too.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.
A woman reports that her young daughter is missing, but there seems to be no evidence that she ever existed.
Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter.
A person desperately searches for their lost little brother during a Memorial Day festival in this one take POV thriller
One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn't fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
After extricating 17-year-old Lisa Halle from a life of prostitution in Copenhagen, private investigator Varg Veum becomes ensnared in a tangle of parental neglect and bad love when he is hired to locate Lisa's boyfriend, Peter Werner.
A mentally ill man searches New York for his missing eight year old daughter. He recreates her steps each day hoping for some clue to her disappearance, until he meets and befriends a woman with a daughter the same age. Could she help him with the missing piece of the puzzle?
Skyler, an ambitious and passionate mental health counselor at the Center for Missing Children, breaks protocol to team up with Mr. Wiggins, a grieving father in search for his daughter. As the story unfolds, peculiar things begin to happen and Skyler becomes the mediator between hurting families and spirits of the missing child. Her dedication to this missing girl's father is tested when the crime leads back to her hometown and she is forced to confront a psychopath she could never have imagined.
A suburban town is faced with a series of bizarre incidents in which children disappear and three days later an adult in their life dies. A mysterious "child whisperer" phantom appears before journalist Shunya, who is investigating the incidents, and his girlfriend Naomi.