Into the Homeland

Villagers in a remote district of central China take on a chemical company that is poisoning their water and air. For five years they fight to transform their environment and as they do, they find themselves transformed as well.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories - activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away - though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.

When motocross and heavy metal obsessed, 13-year-old Jacob's delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

Joe Lieberman is attracted to Shaleen. They begin a professional relationship, which continues even after Joe develops a romantic interest in a woman named Kate, who is married.

Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and poet who lived in Berkeley, California. The documentary explored his spiritual struggle coping with his disability; he had to use an iron lung much of the time due to childhood polio. O'Brien died on 4 July 1999, from post-polio syndrome. It won an Oscar at the 69th Academy Awards in 1997 for Documentary Short Subject.

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

Documentary about a Jewish senior citizens' acting group on the Lower East Side of Manhattan. The film covers both the progress and impediments of a play the group is mounting about senior citizens looking for love and the life/love stories (past, present, and predictions) of the players.

A widowed Midwestern housewife travels to Manhattan for the first time to visit her daughter. Once there, she becomes obsessed with the Hell's Angels-ish bikers' club across the street from her daughter's East Village apartment.