A stranger's call informs Roberta that her estranged brother Frank has died in a small town under bizarre circumstances. Ben, his best friend from college, also gets the call. Arriving just in time for his funeral, it becomes quickly obvious to them that the little slice of small-town America in which they find themselves is like an episode of The Twilight Zone featuring Frank's eccentric friends, his amazing secrets and his stunning final request. Both Ben and Roberta are shocked to discover that Frank not only had a child, but that he has left them responsible for his son's care.
Anna and Michailo grow up together, attracted to each other since their earliest days. When Anna's father dies, her brothers force her into marriage with the mean farmer Mikola. After years of absence, Michailo comes home, to get her back.
I Put a Spell on You was created by and stars Johnson. The annual show is a spoof of and tribute to the beloved cult classic movie Hocus Pocus. This year’s COVID-safe digital film is not your average stream: it’s complete with larger-than-life performances and choreography, over-the-top costumes and makeup, unmatched production value and a healthy dose of Broadway magic. This year, the beloved Hocus Pocus-inspired Sanderson Sisters break the internet and recruit some of pop culture’s most iconic villains (think Cruella de Vil, Gaston, The Joker, Maleficent and more) to fulfill their delightfully devious plot. Johnson returns as Winifred Sanderson with Allison Robinson and Amanda Williams Ware as sisters Sarah and Mary.
Two self-obsessed businessmen discover they're long-lost identical twins and come together to plot the reunion of their eccentric divorced parents.
Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. With Die Walküre, the story of the Ring enters the world of human beings. Jonas Kaufmann and Eva-Maria Westbroek are Siegmund and Sieglinde, the twin children of Wotan, sung by Bryn Terfel. Deborah Voigt stars in the title role of the Valkyrie Brünnhilde, Wotan’s favorite daughter. James Levine conducts.
Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.
A TV film based on single act drama written by Miroslav Krleza, that belongs to his expressionist phase. It was first published in 1922, and then regularly as a part of collection of plays called "Legends". By giving them this primordial biblical names, in this drama Krleza speaks about the intricate relation between two lovers, while interweaving reality and unreality, giving wider context of human relations to everything.
The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.