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The Gardener 2025 - Movies (Jan 11th)
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The Repair Shop on the Road - (Jan 13th)
Katy Tur Reports - (Jan 13th)
Richard Osmans House of Games - (Jan 13th)
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Nobody Asked - (Jan 13th)
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Room to Improve - (Jan 13th)
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Junior Bake Off - (Jan 13th)
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I Escaped to the Country - (Jan 13th)
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**_A romantic-comedy that's actually really good_** A group of rich Americans take a private cruise from Greece to Italy where a spoiled middle-aged woman, Amber (Madonna), mentally abuses the crew, in particularly the first mate Pepe (Adriano Giannini) whom she constantly refers to as PeePee. The crew puts up with her pompous antics because she's the paying customer, but everything changes when Amber and Pepe are stranded on a deserted Island, putting Pepe in a position of control. "Swept Away" is a 2002 remake of the 1974 Italian film starring Madonna and directed/written by Madonna's (then) husband Guy Ritchie. Despite what you may have heard, it's fun and entertaining, but also thought-provoking and moving. For the record, I'm not a follower of Madonna; I neither love her nor hate her. In fact, I almost didn't watch this film because she starred in it, but I gave-in because I'm a sucker for survival-on-deserted-island flicks. I'd also like to point out that I've never seen the original '74 film, so I have no nostalgic bias. "Swept Away" failed at the box office in 2002, but only because it was barely released to theaters and critics condemned it before it was even completed. It subsequently swept (away) the Razzies as the worst picture and a bandwagon effect developed with everyone jumping into the negative feeding frenzy. Is it really THAT bad? No. Not even close. "Swept Away" starts as a fun, entertaining farce and morphs into a potent social commentary and, finally, a moving love story. The movie will make you laugh, make you angry, make you cry and ultimately move you -- no kidding. But it will only have this effect IF you refuse to listen to the drivel of the cookie-cutter critics and give it a chance. As for Madonna, she's no Meryl Streep but she successfully makes you despise Amber in Act 1 and feel for her later on. She made me believe Amber was a real person. What more do you want? I'm not an anti-capitalist but the film effectively points out the flaws of this system. It also effectively reveals how money/materialism can't of itself give true happiness, love or fulfillment. Amber had everything but was the most unhappy, loathsome person you'd likely ever meet. One reviewer referred to the film as a "wife beater's fantasy" but failed to point out that it could just as easily be called a "Man torturer's fantasy" or "Man emasculater's fantasy." Let's be evenhanded with our appraisals. I admit the physical abuse of Amber on the island (slapping, kicking and especially the faux-rape) is disturbing and almost tempted me to tune out, but then I saw what the filmmakers were shooting for, the filmmakers being Madonna and her husband. In our society we've been misled to believe that mental abuse is less abusive because it's not physical. This film effectively shows that mental abuse can be just as bad, if not worse. ***SPOILER ALERT*** During the first half hour Amber horribly torments and emasculates Pepe (and others) because she's a spoiled brat and in control. When the tables are turned and she loses control on the island Pepe utilizes extreme measures to de-spoil Amber. In other words, Pepe realized that Amber was so far gone -- so utterly spoiled -- that she literally needed slapped back to reality. This is in line with a biblical proverb "Blows and wounds cleanse away evil and beatings purge the inmost being." Let's face it, some people are so far gone (that is, spoiled) that they literally need the snot beat out of them -- that's the only thing that's going to wake 'em up to reality. Apparently Pepe realized this on the island and acted accordingly. Do I think he goes too far? Yes, but -- then again -- I wasn't the one mentally tormented for days on the boat and totally emasculated in front of others. Regardless, the story shows that his methods worked -- Amber was humiliated to the point of seeing life from a totally different perspective, a much-needed new perspective. Pepe's discipline ultimately brings out spiritual character in Amber to the point where she refuses to call on passing boats to save her from her exile (two moving scenes, by the way). Why? Because she's been delivered from the bondage of selfishness, arrogance and materialism; she has experienced true love, fulfillment, team-work, companionship and independence (remember, she DOES learn how to fish for herself) for the first time in her life. It becomes more precious than gold to her and she doesn't want to let it go. Again, I think Pepe goes too far with the physical abuse (in fact, I don't believe in physical ABUSE at all); he should've stopped with a couple of slaps, at most, but the filmmmakers are (evidently) saying she was so far gone that extreme measures were necessary. Besides, didn't she make her own bed, so to speak? Let her lie in it. ***END SPOILER*** The fact that Madonna -- one of the most successful women in history and the original "material girl" -- utilized this film to make this point speaks volumes. Is it a sign of weakness? No, it's a sign of enlightenment and spiritual strength. BOTTOM LINE: "Swept Away" is much better than similar flicks like 1998's "Six Days, Seven Nights" with Harrison Ford and Anne Heche. Why? Because, not only is it fun and entertaining, it's also thought-provoking and moving. Really, what more do you want from a stranded-on-a-deserted-island romantic-comedy? Needless to say, those who go overboard with the negative criticism need to get real. The film runs a short-but-sweet 89 minutes and was filmed in Sardinia and Malta. The DVD features a 20-minute making-of piece with Madonna and Guy Ritchie interviewing each other. It's an entertaining, informative and revealing piece. The DVD also features 16 deleted scenes. GRADE: A- or B+
For a con-artist couple, a premeditated jewelry heist at a posh resort yields unexpected payoffs when they arrive in the middle of a swingers' convention. Charming, sexy and no strangers to the art of seduction, China and Michael are amateurs when it comes to the "lifestyle" but eagerly throw themselves into their education - with sizzling results. But recreational romance becomes a bitter pill for the grifters when their jaded hearts get in the way of what could be their most lucrative swindle yet. They may be experts at the art of flimflam, but they still have a lot to learn about love.
A young American woman returns to her Greek roots in search of her real father. Accompanied by her stepfather, she shatters the very myths designed to protect her. She uncovers an unlikely relationship between those who raised her, a globe-trotting photojournalist and Athanasia. Athanasia, a girl with no right in life. A choice of nature, but not of her community. Angela finds her father and discovers her mother.
The world of a young housewife is turned upside down when she has an affair with a free-spirited blouse salesman.
A worried father tries to end the relationship that his son Andries has with the wife of a wrestler.
Caught by tabloid paparazzi with his mistress Elena, a famous and beautiful fashion model, billionaire Pierre Levasseur tries to avoid a divorce by inventing a preposterous lie. He uses the presence of a passerby in the photo to claim to his wife that it's not him Elena is seeing but the other man, one François Pignon. Pignon is a modest little man who works as a parking valet. To make the story convincing, Elena has to move in with Pignon.
The south sea island Tonga is full of plantations and scoundrels. Ellen Bradford arrives expecting marriage to respectable and successful plantation owner only to find he is a drunk and gambler. Being the only white woman she is the desire of scoundrels and cut-throats.
A coming of age dramedy where infidelity, real estate, and Lyme disease have two families falling apart on Long Island in the early eighties. Scott, 15, is at the point in his life when he finds out that the most important people around him, his father, his mother, and his brother, are not exactly who he thought they were. They are flawed and they are human.
Caseli, a young writer and teacher, creates in his imagination characters who would frequent a motel, the subject of the book he is writing. He and Dilma, his student, decide to spend a night in a motel in Rio, where eight couples meet: - Fábio, visual artist and Stefânia, fashion editor of a magazine; - Ferraz, flirtatious dentist and his secretary Cleonice, shy and virgin; - Vera, wife of Ferraz and Kiko, big boy from Ipanema; - Leopoldo and his wife, an elderly couple celebrating their golden anniversary; - Detective Camilo and his assistant Dorô, who try to catch Vera in the act of adultery; - Renato, on vacation from São Paulo and Cláudia, a woman he recently met in Rio; - Gustavo and Lazinha, a couple who use extravagant artifices to achieve sexual fulfillment. In the middle of the night, the corpse of an unknown man appears, and the arrival of the police determines the most diverse outcomes for those who were looking for just one night of love.
Four animal friends get a taste of the wild life when they break out of captivity at the Central Park Zoo and wash ashore on the island of Madagascar.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.