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Riley, a junior in college, is persuaded by her estranged parents to visit during winter break, only to find they have taken up a supernatural practice in order to fix the deep-rooted issues plaguing their family.
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
Suso, a young unemployed man, spies a young woman who throws herself off a cliff, before he could do anything about it. Suso will seek answers that awaken memories of the past and even make him rethink his true identity.
When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.
After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.
A mother is dealt a double blow when she learns that her murdered teenage daughter was working as a prostitute.
In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.
In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.