Foreign Names

This movie is a short documentary about both the narrator's, and the youth's, experience as Christian tourists in Israel.

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

Extroversion is an attractive description, but why do we idealize this personality trait more highly? LISTEN TO THE WALLFLOWERS is a poetic short documentary about the need for quietness and spending time alone in a world that can't stop talking.

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.

Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.

The painful personal stories of five Palestinian kids, ages 7-17, open a window into the world of Palestinian minors under Israeli occupation - trapped within the violence, humiliation, and daily confrontations with soldiers and settlers - while remaining children in every way. Each child finds his or her own way to cope and to construct emotional and political worlds in an impossible situation.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)