Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Mafia Wars 2024 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Three Secrets 2024 - Movies (Feb 4th)
Ryans World the Movie Titan Universe Adventure 2024 - Movies (Feb 4th)
Megalopolis 2024 - Movies (Feb 4th)
Blood Star 2024 - Movies (Feb 4th)
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Mafia Wars 2024 - ()
Cinderellas Revenge 2024 - ()
Slide 2025 - ()
Queer Planet 2024 - ()
The Forge 2024 - ()
Green and Gold 2025 - ()
Grace Wins 2024 - ()
Deadzone 2024 - ()
The Distance Between Us 2024 - ()
A European Christmas 2024 - ()
Super Icyclone 2024 - ()
The Perfect Mother 2024 - ()
Thirsty for Likes 2024 - ()
Three Secrets 2024 - ()
Ryans World the Movie Titan Universe Adventure 2024 - ()
Megalopolis 2024 - ()
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Mikha is a nail artist who is very passionate about her work. She works so hard that she sometimes forgets to spend time with her family. She wishes her husband could have more time for the family, so that her child doesn't need to be taken care of by his mother all the time. They argued a lot about who should take care of their children. Mikha feels that her nail art studio is not suitable for her child's growth. She wanted her daughter's life to be better than the bitter stories of her clients.
A story with no (real) narrative that just takes you through a holiday in Wales to show you how great it can be, whilst also trying to explore the creativity that cinematography and colour grading can present to you.
In this true-crime documentary, a charismatic rebel in 1990s Seattle pulls off an unprecedented string of bank robberies straight out of the movies.
A nude woman relaxing on a bed to Minnie Riperton's song Les Fleurs is exited by its chorus. Director Saam Farahmand heats up the body hair debate.
KOMO Anchor Eric Johnson takes an in-depth look at the impact the drug and homelessness problem is having on our city and possible solutions in "Seattle is Dying," a news documentary that aired on KOMO-TV in March, 2019.
Unbreakable is the story of former professional soccer player Steve Zakauni's journey from a horrific leg break, nine surgeries and severe nerve damage, to a heroic comeback in front of 40,000 fans at Century Link Field in the summer of 2012. It's one of the most iconic moments in Seattle sports history. Unbreakable is an inspirational, heartfelt, and uplifting story that had to be told.
“The Fight for the Soul of Seattle” examines the role of Seattle’s City Council in allowing the situation to reach what many experts consider epidemic levels under the guise of a compassionate approach to people who suffer from substance addiction and who commit crimes to feed their habit. It documents the heartbreaking condition of people on the streets, and the crushing decisions Seattle entrepreneurs are forced to contemplate as their life savings and dreams are destroyed by theft, vandalism and a dwindling customer base. This documentary also explores potential bold solutions to treat those living on the streets and pair them with agencies and assistance that can provide a clear path away from the endless circle of addiction and crime.
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.