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Retreads the original, but with interesting additions A month after the events of “Psycho II” (1983), a grief-stricken former nun (Diana Scarwid), a wannabe rock star (Jeff Fahey), a meddling reporter (Roberta Maxwell) and a bunch of football fans converge on the Bates Motel and the crazy world of Norman Bates (Anthony Hopkins). Like the previous installment, “Psycho III” (1986) is a quality continuation of the iconic 1960 film, but more of a retread, which is why some call it a spiritual remake. I like it a little better than the prior sequel because it omits the contrived and confusing twists & turns of the second half. (But, if you seriously reflect on “Psycho II,” everything makes sense after the climatic reveal; you just have to put the pieces of the puzzle together). Besides Scarwid, the film scores pretty well in the female department with comely redhead Juliette Cummins from “Friday the 13th Part V” (1985) and brunette Katt Shea. The film effectively contrasts lust and love. In addition, Fahey makes for an entertaining character and I like the addition of the celebratory football fanatics. There’s some atmospheric cinematography as well, directed by Perkins. What’s great about the Psycho franchise is that it has its own story and Norman is a sympathetic character. It’s really a tragedy and not like the formulaic slasher where the killer is a zombie-like machine and all its victims are mostly partying teenagers. The film runs 1 hour, 33 minutes and, like the other two films, was shot at the backlot of Universal Studios, Universal City, California. GRADE: B
The sclera is a sign that humans are social animals. We are born to empathize, but not all of that empathy converges into perfect empathy.
Sara Snow, an awkwardly lonely and nervous girl, is being targeted by a serial killer whose thirst for death cannot be quenched.
A young woman and her undead mother take on some greedy real estate developers who will stop at nothing to get their land.
A domestic house cat named Francis investigates the grisly feline murders taking place in his new neighborhood.
After the mysterious death of scientist Dr. Devin Villiers, Det. Frank Turner and his partner are assigned to protect Villiers' colleague, who revealed that a veteran soldier was subjected to an experiment with the objective of creating the ultimate national security weapon... an undetectable soldier. The experiment failed – with disastrous side effects.
Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
In a seedy bar in a town ravaged by war, scientist and businessman Hunt hires mercenary and former Royal Marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. Their mission is to scope out an old military bunker in Eastern Europe. It should be easy – 48 hours at the most. Lots of cash for little risk. Or so he says...
Beautiful Mandy Lane isn't a party girl but, when classmate Chloe invites the Texas high school student to a bash in the countryside, she reluctantly accepts. After hitching a ride with a vaguely scary older man, the teens arrive at their destination. Partying ensues, and Mandy's close pal, Emmet, keeps a watchful eye on the young males making a play for Mandy. Then two of the students are murdered.
When their daughter is abducted by experienced kidnappers, the Jennings turn the tables on their seemingly fool-proof plan.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
